A Quote by Dean Kamen
People take the longest possible paths, digress to numerous dead ends, and make all kinds of mistakes. Then historians come along and write summaries of this messy, nonlinear process and make it appear like a simple, straight line.
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It is an error to divide people into the living and the dead: there are people who are dead-alive, and people who are alive-alive. The dead-alive also write, walk, speak, act. But they make no mistakes; only machines make no mistakes, and they produce only dead things. The alive-alive are constantly in error, in search, in questions, in torment.
You're going to write straight and simple and good now. That's the start.''What if I'm not straight and simple and good? Do you think I can write that way?''Write how you are but make it straight.
The patterns are simple, but followed together, they make for a whole that is wiser than the sum of its parts. Go for a walk; cultivate hunches; write everything down, but keep your folders messy; embrace serendipity; make generative mistakes; take on multiple hobbies; frequent coffeehouses and other liquid networks; follow the links; let others build on your ideas; borrow, recycle; reinvent. Build a tangled bank.
Somewhere along the line, I conditioned myself to be a quick thinker. I take a step back and try to assess the situation, then make the best decision possible at the moment.
But there is a process that happens when you're making something, be it a musical or a new play. That process takes time, and mistakes will be made along the way, and you will go down and hit dead ends. But it is so public now. Any yahoo with a computer can start a firestorm.
I do everything by hand... Even if I'm doing really big letters and I spend a lot of time going over the line and over the line and trying to make it straight, I'll never be able to make it straight. From a distance it might look straight, but when you get close up, you can always see the line waver. And I think that's where the beauty is.
If you have a dream: Number one, make a plan. And then execute that plan. And there will be failures along that line. Don't let that discourage you. Because failure is part of the process ... make the necessary adjustments and you can be successful at whatever you do.
When I do write, it happens really easily. I'll just kind of sing along to whatever I'm playing, then find a line to build off of, then sit down and write. When I do write, I take care of business!
The French word for wanderlust or wandering is 'errance.' The etymology is the same as 'error.' So to wander is to make mistakes. In other words, to make mistakes, to make errors is sort of the idea of learning through trial and error, allowing the mistakes to be part of the process.
If you look at the paths of other actors, most people have a curve where you hit it and there's a time where you make a lot of money and they let you make your movies, and then they take it away and it's gone.
Journalists who make mistakes get sued for libel; historians who make mistakes get to publish a revised edition.
Seems like I've been here before, can't remember when I get this funny feeling, we'll be together again; No straight lines make up my life, all my roads have bends; No clearcut beginnings; so far, no dead ends.
No straight lines make up my life; And all my roads have bends; There's no clear-cut beginnings; And so far no dead-ends.
The FBI that I see is people, decent people, committed to the highest principles of dignity and professionalism and respect... Now do we make mistakes? You bet we make mistakes, just like everybody who's human makes mistakes.
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
But I do think that when people say 'a learning curve,' they make a mistake. Learning to me always seems to go in a straight, ignorant line and then, every so often, takes a jump straight upward.
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