A Quote by Dean Koontz

I have learned a great deal from novels. Some of it is even true. — © Dean Koontz
I have learned a great deal from novels. Some of it is even true.
For some reason, the women in my life have always been extremely powerful. I've learned a great deal from that. I've learned that we're all women when we're complete and we're all men.
If all people learned to think in the non Aristotelian manner of quantum mechanics, the world would change so radically that most of what we call "stupidity" and even a great deal of what we consider "insanity" might disappear, and the "intractable" problems of war, poverty and injustice would suddenly seem a great deal closer to solution.
All great novels, all true novels, are bisexual.
I think every actor injects some of his own personality into his parts. There's a great deal of myself in McCoy, a great deal of Bill in Kirk, and a great deal of Leonard in Spock!
Mr. Lyell's system of geology is just half the truth, and no more. He affirms a great deal that is true, and he denies a great deal which is equally true; which is the general characteristic of all systems not embracing the whole truth.
What I have learned lately is that people deal with death in all sorts of ways. Some of us fight against it, doing everything we can to make it not true. Some of us lose our selves to grief. Some of us lose ourselves to anger.
And don't get me wrong, I've built a life and some great friends and some great relationships in Seattle. But I also learned so much and knowing that there is a business aspect behind it, everything that I have learned, that's something that I hold dear to my heart.
I was a sci-fi addict when I was a kid and a teenager. Novels, graphic novels, movies, it was my way to deal with reality.
French novels generally treat of the relations of women to the world and to lovers, after marriage; consequently there is a great deal in French novels about adultery, about improper relations between the sexes, about many things which the English public would not allow.
I learned about the strength you can get from a close family life. I learned to keep going, even in bad times. I learned not to despair, even when my world was falling apart. I learned that there are no free lunches. And I learned the value of hard work.
I never got any training in how to write novels as an English major at Oberlin, but I got some great training for writing novels from anthropology and from Margaret Mead.
I've worked with some very good directors and some very bad ones. I learned a great deal from both. From the bad, untalented people, you learn what not to do. And when you work with very highly talented people, you want to emulate them.
I've obviously learned a lot, a lot of mental toughness, learned how to deal with some adversity. Hopefully I'm better for it.
One of the things that I love about writing novels is that it really doesn't matter what next step you take as long as you're pursuing some intuition or instinct. Of course, then, intuitions or instincts don't make for great novels, but they often make for good first drafts.
I do not repeat conversations that I can't remember. And it's something that irritates me a great deal, because I think most memoirs are false novels.
It's true that all my novels have been versions of myself to some degree.
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