A Quote by Dean Koontz

Because people see violence on the movie screen, they're not going to go out and hold up a liquor store and kill somebody. It really doesn't correlate. — © Dean Koontz
Because people see violence on the movie screen, they're not going to go out and hold up a liquor store and kill somebody. It really doesn't correlate.
A lot of people in the movie industry tend to run and hide from it like ostriches. Movie industry people are definitely in denial right now, but you do become desensitized to violence when you see it on the screen so often. Let's face it, violence exists for one reason in movies, and that's to get an effect, create an emotion, sell tickets. - on the link between movies and school violence.
I get up at 7:30. I grab a canvas bag and go out. I say hello to the people in the supermarket and liquor store. I buy the 'New York Times.' I go to the beach and think about characters and plot.
So when we come across somebody who does understand this and makes an effort to try and explain it to us, some people freak out and turn that person into either an object of worship or, some people freak out and want to kill that person. I think it's because they know what's true but they don't want to know, they don't want to face up to what that actually means. So they're going to kill the messenger and hope that by doing so they'll destroy the message so they can go back to living their ordinary life again.
I said the screen will kill the reader, and it has: the movie screen in the beginning, the television screen, and now the coup de grace, the computer screen.
People see things differently and remember things differently. It's why if somebody robs a liquor store and there are four witnesses they'll often disagree.
We were doing this close-up of my character on a cell phone, and the director's just like "Cut! Can we get somebody else's hand in there?" I do bite my fingernails, and you don't want to see a fat, bitten thumbnail on a 30-foot movie screen, so I get somebody with really nice, sexy hands and put 'em in there.
I particularly like Strellson because I love one-stop shopping. I don't like going store to store. I want to go to one store: look, see, buy, go. But shopping takes time. If I have three or four hours, I play golf.
And you get into that sort of cannibalistic feeling - all you want to do is go out there and, like I say, kill somebody. I'm going to get him. I'm going to kill'em. Not like you are going to put them into the ground after, but you just want to kill a guy.
I think when I start out writing, I always try to write the version of the movie that I want to go see. I don't mean it in a way that ignores the audience, but I really set out to make a movie that I want to see and that, hopefully, other people will want to go see it. So whatever's amusing to me, I guess, I throw it all in there.
I felt there was a certain amount of violence in the graphic and that it could still be cheated on screen so you could still have a hard PG-13 and open up your audience. Anybody can read the graphic novel. If you're 14, you can go out and buy it, and I felt that if you're 14 you should be able to see this movie [The Loosers].
I tell everybody on the first day of making a movie that if anyone's here to further their career, they should leave. I'm gonna make the movie in such a way that we won't have a career when this movie comes out. Because the people who hold the moneybags are not going to want to share any of that money with us to make the next movie!
I'm going to go talk to some people to see if you could be in the movie because you should be in the movie.
No. I think they're the idiot people and I'm the normal person. But I don't really go to parties where...I don't really have drunk friends. My friends are kind of adult; they have a drink. But they hold their liquor. I think it's incredibly embarrassing when people are drunk. It just looks so ridiculous. I find it very degrading. I think, oh, you're really degrading yourself right now, to be this pissed out in public.
You're never going to go. Why would you go? It's a disgusting place. It's always wet even when it's dry. There's nothing there. Farmers aren't really people, you know this. They're just necessary, we need somebody to kill cows.
I wasn't a great improviser when I started there; I'm not really up on current events. I would always just mug, just try to get my laughs from making faces. So I decided to do a character who should never have become a comic - somebody you would see at the Comedy Store and go, "This person is never going to make it."
I went into Xanadu going, 'I really dislike this movie - let me try to make it something wonderful,' but with 'The Band Wagon,' I really revere this movie. It's really a beautiful movie musical. And, yet, because I'm a writer and look at it that way, I see that there are faults in it.
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