A Quote by Dean Lewis

I mean, sometimes it's really good to listen to something like Tom Petty, that's purely blissed out. But that's not me. — © Dean Lewis
I mean, sometimes it's really good to listen to something like Tom Petty, that's purely blissed out. But that's not me.
Radio used to be dominated by Tom Petty and artists like that. If Tom Petty came out today, he'd be played on country radio - all that stuff would. I think the genre has opened itself up to more styles of country, and I think that's a good thing.
Basically, my mum and dad bought me a CD player for my 14th birthday. They didn't really listen to music at all, but my dad had a couple of tapes that he'd listen to, like Tom Lehrer. My dad was a physicist and Tom Lehrer was like this really weird Harvard class professor, who was really cool because he was also a satirist and pianist.
When I'm in the car sometimes it's like, 'Yeah, man, just put on the pop music.' You know what I mean? I don't want to listen to Tom Waits.
Nobody went out to pasture, and a lot of people are doing their best work. Bruce Springsteen, Tom Petty, and Sting are at the top of their game. I mean, Tony Bennett is the coolest guy I ever met! We have to figure out how to break out of this age ghetto.
I've always loved Tom Petty and the Heartbreakers, and I watched the Petty documentary 'Running Down A Dream'. I was directly influenced, it made me want to go write.
I'm really good at making teen angst romantic. I'm really good at dealing with heartbreak and things like that and making it into this whole experience. But there's no way to make someone-on-the-Internet-said-something-mean-about-me into romantic angst where you can listen to music and cry or whatever.
When you go back and listen to 30 years of Tom Petty records, they are pretty consistent. I love that.
I mean, you could have said Elvis Presley was new wave when it happened. I heard Willy DeVille and Tom Petty and to me they were new wave really because they were new.
TV commercials make parenting look like there are going to be good days and bad days - like, it'll be this gentle wave, like you'll have a blissed-out, really wonderful day or two, and then, you know, then you'll have an issue. And what parenting is, is kind of earthquake.
Tom Petty and the Heartbreakers were really great. I saw them live in the '90s; they were really, really good. The music is great, and the musicians are amazing.
Sometimes I can listen to music - sometimes there's no choice, especially if I'm out writing at a coffee place. But sometimes it's too distracting. If I'm listening to something I really love - I have to stop and give everything over to it. I'm listening to its structures, its melodic lines, the bass. It takes up too much of my head - in a good way.
I guess I don't really know any other way to do it, it just feels like the natural way to do things for me. Like - if I'm writing a song - it has to have some sort of value. Or it only has some kind of value to me, if it's something really personal. It has to mean something to me. I guess it is a little uncomfortable, or it's a little embarrassing sometimes, to know that stuff that honest is out there. But, when I hand off the thing, when it's totally done and mastered and sent, I kinda feel like it doesn't belong to me anymore.
Sometimes you hate your music, sometimes you don't. Sometimes I listen to the record and it's really hard for me, and other times I listen to it and I give myself a pat on the back.
Tom Jones is funny to me, man. I mean, he really tries to ape Ray Charles and Sammy Davis, you know. He's nice-looking; he looks good doing it. I mean, if I was him, I'd do the same thing. If I was only thinking about making money.
You want to make a little money, and sometimes you want to play some really great parts. Sometimes they don't always coincide, or co-exist. Sometimes you've got to do good parts for no money and... You know, I sometimes can't do movies just for the money. I really can't. I mean, I've tried. Believe me, I'd love to just take the money and run. That might just be part of the equation, but there has to be something there. You have to be somewhat creatively satisfied.
I just don't think people listen. I mean, they can't listen to a whole album closely without checking their iPhone or wanting to skip to their favorite song, or putting something else on, practically. That's why the zone out is a good thing.
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