A Quote by Dean Winters

I've always been drawn to stories involving brothers, which started with my first viewing of Sean Penn's, 'The Indian Runner.' This subsequently lead to my working with my two brothers, Scott & Brad. I couldn't imagine a greater gift in the business.
One year, I went to Cannes with the film 'The Indian Runner' that Sean Penn directed. Everyone else in the film was all the same height, and on the red carpet, when they were taking photos, none of them would stand next to me, and I totally got it.
When you imagine the Koch brothers, it's hard not to think of the 1983 film 'Trading Places,' which featured as its villains a pair of brothers, commodity brokers named Randolph and Mortimer Duke.
I started working at age thirteen. I'm a product of public schools, I'm a product of a public university. I started my first company when I was 21. I've subsequently never worked for anybody else. I started that first business when I was still in college.
When I was a teenager, the actors I was really into were Mickey Rourke and Sean Penn. I saw 'Rumble Fish' on my 16th birthday, and around the same time, it was 'Falcon and the Snowman' and 'Bad Boys' from Sean Penn.
I don't see any negativity with what Brad Pitt is doing with his Make It Right Foundation, or what Sean Penn is trying to do in Haiti.
Ultimately, my connection to my Indian-ness comes back to my mom and dad. They would all tell me and my siblings stories about their life in India, so it was very close to my two brothers and my sister and I.
I'm crazy about the Coen brothers, I'm crazy about Sean Penn. I love the usual suspects like Susan Sarandon, Meryl Streep and people like that.
There were rumors that flew about the two of us, which were complete poppycock. There was never any romance between Madonna and myself. I mean, we had a moment where we're kissing in that video [Material Girl], but she at the time was with Sean Penn, and I was married with two kids, so there was no funny business there.
Who made me laugh when I was growing was Chaplin and the Marx Brothers, and then moving on, there were so many that I was a writer for for many years: I was a writer for the Smothers Brothers, Lily Tomlin, then I started on 'Saturday Night Live' as the head writer the first year we started it.
Glenn was the one who invited me to join the Eagles in 1974, and it turned out to be a gift of a lifetime to have spent so many years working side by side with him. He was funny, strong, and generous. At times, it felt like we were brothers, and at other times, like brothers, we disagreed.
I did not imagine myself working with Luis Estrada or with the Wachowski Brothers and these are things that have happened to me and I am very satisfied. I hope to keep on finding interesting projects and interesting stories.
Oh, brothers! I don't care for brothers. My elder brother won't die, and my younger brothers seem never to do anything else.
Because I didn't have brothers, I was always interested in the kids down the street that had four brothers in their family, so I became one of them - but it was not my family. I've always been attracted to temporary families. They tend to be lost characters.
There I was at 'The Tree of Life' premiere, holding hands with Sean Penn and Brad Pitt. That walk down the red carpet was a real rite of passage for me. Suddenly, journalists began asking, 'Who's this actress?'
I've always had gender confusion. I had two older brothers, and I've been predominantly male influenced. I really always looked up to my dad, really always looked up to my brothers... I had a lot of male friends growing up. It didn't help that in my town, where I lived, there were no female musicians.
Your eyes are as a flame, but our brothers have neither hope nor fire. Your mouth is cut of granite, but our brothers are soft and humble. Your head is high, but our brothers cringe. You walk, but our brothers crawl. We wish to be damned with you, rather than blessed with all our brothers. Do as you please with us, but do not send us away from you.
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