A Quote by DeAndre Jordan

Being out there, I know how to play the game and know my spots. Just get rebounds, block shots, defend. — © DeAndre Jordan
Being out there, I know how to play the game and know my spots. Just get rebounds, block shots, defend.
In the past years, I got in a lot of foul trouble because I was out of position, or because I was just too aggressive. I was trying to block too many shots. It's really just learning when to take a chance at blocking shots, and to get to spots early.
Just knowing how to get to my spots - that's the key. Once I get to my main spots, I feel like I have a lot of options I can go to - keep on driving, pass, or shoot. I just feel like if I can get to those spots, I can play my game.
I was never a one-dimensional guy; I was always able to block shots, play defense, get rebounds, or drive, or pass. My father made me grow up that way. He taught me to work on different things in my game and wanted me to be more than a one-dimensional player.
I do all the dirty work: play defense, grab rebounds, block shots and finish strong around the rim.
A lot of players know how to play the game, but they really don't know how to play the game, if you know what I mean. They can put the ball in the hoop, but I see things before they even happen. You know how a guy can make his team so much better? That's one thing I learned from watching Jordan.
My true role is to get actors to understand what the camera is doing and what my intent is so they don't waste their good stuff on over-the-shoulder shots and wide shots. They need to know when we're going in to get something important, so they know to really go for it. No human being can give you 1,000 percent on every single take or shot, so you need to let them know what you're heading for. It's important that the actors know they're being looked after and being recorded in a way so they can do their best.
Sometimes, the hardest things are just the simple things. Basically, get out of your own head and just go play the game you know how to play.
When you're doing comedy constantly, you're organized: you know where everything is, you know how to get out of it, you know how to stretch it. But, like, doing 'SNL,' I stopped doing spots, and then I would finally do some sets - it take me so long to, kind of, get in the rhythm of it.
I found out some of the spots on the floor that I like to shoot - do my little floater shots, my pull-up shots, being able to get all the way to the rim. By me doing that, it's kind of opened up my 3-point shot.
It can be hard to keep that mentality but I know that to play your best you can't be worrying about getting dropped, because then you just go into your shell even more and play safe. I've just got to come out and play how I know I can play - that's the way that you get the best out of yourself.
I'm not, you know, the guy with the biggest game or the flashy shots. But, you know, just being steady, playing every points like it really matters, I think has been working.
I've been learning when to block shots against who I'm playing. I'm not just going to leave a shooter to go block shots.
Most people don't know I like to block shots. I'm going to be a big point guard out there. So just come in and prove myself. Just show why I belong on this stage.
There's two facets of this game. You know, if I'm not making shots, OK, then I have to do something on defense. So if I'm missing shots or making shots, it doesn't affect my overall game.
I like to play attacking shots, even if it is in the first over of the game. If I get out playing attacking shots, then so be it.
I just play music by listening and responding, so I don't know anything about writing songs or arranging and all of this stuff. You know, it's in my head, but I don't know how to get it out.
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