A Quote by Deb Caletti

Rejection, though--it could make the loss of someone you weren't even that crazy about feel gut wrenching and world ending. — © Deb Caletti
Rejection, though--it could make the loss of someone you weren't even that crazy about feel gut wrenching and world ending.
You can be experiencing the worst, most gut-wrenching grief and still laugh or feel something positive or even fall in love, and it doesn't diminish the depth and sincerity of your grief.
But if the world is watching, we might as well tell the truth. And the truth is, the church doesn't offer a cure. It doesn't offer a quick fix. The church offers death and resurrection. The church offers the messy, inconvenient, gut-wrenching, never-ending work of healing and reconciliation.
If you're even on the fence about hiring someone, that person is a no. You have to feel it in your gut.
This is what it feels like to care about someone who doesn't feel the same. I'd only known how it felt to love someone who loved me just as fiercely. I'd never known rejection. I'd never wanted someone who didn't want me. The longing didn't go away with rejection.
The ending has to fit. The ending has to matter, and make sense. I could care less about whether it's happy or sad or atomic. The ending is the place where you go, “Aha. Of course. That's right.”
From his style, you’d think Jason Brannon was the dark double of Ray Bradbury. He cares more about character and realism than most writers I’ve read and his plots flow like well-orchestrated music. Indeed, Brannon’s writing has a classical feel, reminiscent of the best traditional work in the genre, even when he’s going for gut-wrenching terror and torture in-extremis.
Deciding whether or not to bring in an outside CEO is one of the most gut-wrenching decisions that a founder will ever need to make.
That gut-wrenching feeling of defeat I can still feel today. Losing and God are the two things that I fear. I fear no man
If you look at most photography, especially the pictures that grab you, they are not objective at all. Sometimes gut wrenching and sometimes lovely, but the moment someone decides to release the shutter, it is an editorial statement.
The endings to me are the key moment in 'Weekend' and '45 Years.' I know how I want my gut to feel at the ending. Even if I can't articulate in words what that feeling is, I'm trying to find ways to get there.
'Blue Nights' is a story of loss: simple, wrenching, inconsolable loss.
I feel like you could listen to any Bon Iver song and it would make you cry. They're all so heart-wrenching.
Once in a while I experience an emotion onstage that is so gut-wrenching, so heart-stopping, that I could weep with gratitude and joy. The feeling catches and magnifies so rapidly that it threatens to engulf me.
It was one of those times you feel a sense of loss, even though you didn't have something in the first place. I guess that's what disappointment is- a sense of loss for something you never had.
But when I learned about the dangers of rejection or attack, I thought, it's time to change this. What if we faced any pain we had caused each other and, instead of rejection or attack, could we listen? Could we forgive? Could we merge?
You want to be the best, and you hear a lot of good things about yourself, and then you find out that you're going to debut as a caddy - it's a little gut-wrenching, and it hurt.
This site uses cookies to ensure you get the best experience. More info...
Got it!