A Quote by Deb Caletti
The romantic element is what the story Essential Maps for the Lost, sort of sits on, but all the stuff below the surface is really about family. It's about the baggage we bring, both the good and the hard stuff in that baggage. It's more about the other relationships. It's about mothers and fathers and sisters and dogs, all of the pieces. It's really more about - yes, love, in its widest usage.
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It's the idea of baggage. When you hear about people in their 40s boast about not having baggage. I think having no baggage is your baggage. That means that you haven't thrown yourself into the mess of life.
We arrive with our...'baggage' and for a while they're brilliant, they're 'Baggage Handlers.' We say, 'Where's your baggage?' They deny all knowledge of it...'They're in love'...they have none. Then...just as you're relaxing...a Great Big Juggernaut arrives...with their baggage. It Got Held Up. One of the greatest myths men have about women is that we overpack.
You tend to write as you get older about family love more than you write about romantic love or ooh baby. ... The stuff that you want to celebrate about humanity has always been there and probably always will be.
When you have a lot of time, when you're not working a full-time job, you have a lot of time to question things and think about things. Some of it's about romantic relationships, some of it's about drugs, about religion, about this mass of humanity traveling through life doing all this crazy stuff, not really knowing why or for what.
When people say stuff to us casually in reviews, if they write about it in a condescending way with really gendered language, that's not really about me. It used to hurt my feelings more than it does now. That's not about us as a band or me as a person. That's about how you feel about women, and that's a societal thing.
Loss aversion is a really disproportionate anxiety about stuff that doesn't matter very much. So for instance, if you lose $5, you feel really bad about the $5 you've lost. You're cursing yourself. You're going through it again and again. If, on the other hand, you find $5, you go - hey, great, five bucks. And you've forgotten about it really quickly.
Relationships help you learn more about what you want. If one doesn't work out, you just kind of look at it and go, Okay, well, this is what I did like and this is what I didn't like, and this is what I did wrong, and maybe I need to be more like this. And so you learn things, and that's why you grow. And you bring all the stuff that you've changed about yourself to a new relationship until you finally find that person you really, really want.
Obviously, I care about the kids. Family, all that sort of stuff. But really, I don't care about life, don't care about death. Nothing. That's the kind of man you are dealing with. That's why I can't be beaten.
Photography's about the surface, what's happening at the top of the sea. Literature's about all the stuff below.
A lot of people seem to think that art or photography is about the way things look, or the surface of things. That's not what it's about for me. It's really about relationships and feelings...it's really hard for me to do commercial work because people kind of want me to do a Nan Goldin. They don't understand that it's not about a style or a look or a setup. It's about emotional obsession and empathy.
I came to the conclusion is that we have a very shallow view of human nature in the policy world. We're really good at talking about material things, really bad at talking about emotions, really good at stuff we can count, really bad at the deeper stuff that actually drives behavior.
The lyrics just come out, and I don't know where from. I'm an incredible failure in relationships. I think there's a romantic ideal that I'm aspiring for. I don't know. The lyrics are always about unsuccessful relationships. They're not all about the love between a man and a woman. It's about friendship and family. Deep down there's a lot of talk about general existence.
But you know, we have more hits than you can possibly think about. One of my personal favorite artists is the wonderful artist named Cher. And although I love much of her late stuff, her early stuff was the stuff that I really, really loved.
I didn't really know anything about Romany culture going into this [Glue series]. The one thing that I liked the most about it is that it's so family based. They don't have mothers and fathers in the same way we do. They're really in a community, so parenting is shared between the community.
I interviewed more than 100 women about their sisters, but if they also had brothers, I asked them to compare. Most said they talked to their sisters more often, at greater length and, yes, about more personal topics. This often meant that they felt closer to their sisters, but not always.
The second one is more about Dopinder working with Deadpool and being like 'I am ready for more stuff.' He is more into work and career stuff than love. But it's really fun. The storyline, where it goes, everyone will be surprised. I even get a catchphrase.
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