Sara Blair's Harlem Crossroads is an important addition to the body of literature that currently exists about Harlem. It brilliantly illuminates the complex relationship between photographic representation and race, and adds new insight into the ways in which this one black community has figured in both the critical and public imaginations. Harlem Crossroads is a tour de force.
I'm a West Indian mum and West Indian mums will go to the wall for their children.
I'm excited about 'Luke Cage' with Michael Colter, who plays Luke Cage. I play the villain, Cottonmouth. It takes place in Harlem. It'll just be amazing for people to get to see an African-American superhero, which there weren't any when I was growing up.
In his 40s, my dad refound his youth a bit, and started going to the West Indian club in Northampton, where I'm from, where the West Indian diaspora would go to socialise on a Friday night, and have a drink and a dance to soca and the like.
Harlem is really a melting pot for a lot of different people. When you look at Harlem - and I lived there almost five years - most of the people who live in Harlem are transplants. They migrate to Harlem from another place.
The riot isn't seen in the movie, but it is alluded to. He has this one speech that gives a great sense of texture and paints a picture of what was happening in Harlem then.
People in the West want to hear Indian melody, not someone who is aping the West.
Harlem was a development, a developer's dream and a place where residents had more space and more amenities than ever before. The subway reached 145th street about 1904, and it seemed that Harlem's destiny was to become largely a preserve of successful ethnics relocating and arriving. Then, overnight, the bust took place.
Melting pot Harlem-Harlem of honey and chocolate and caramel and rum and vinegar and lemon and lime and gall. Dusky dream Harlem rumbling into a nightmare tunnel where the subway from the Bronx keeps right on downtown.
Be proud that thou art an Indian, and proudly proclaim, "I am an Indian, every Indian is my brother." Say, "The ignorant Indian, the poor and destitute Indian, the Brahmin Indian, the Pariah Indian, is my brother."
I like the way Michael Crabtree plays the game. He's strong, he goes up for the ball, he has that mentality to just make plays.
I've always viewed 'Sons of the Prophet' as the first part of a larger trilogy - not three plays dependent on each other but three stand-alone plays connected by theme and, likely, further adventures of the Douaihy family.
I love my Michael Kors, Ralph Lauren, Carolina Herrera, Vera Wang. I've grown up with them.
When you look at Harlem - and I lived there almost five years - most of the people who live in Harlem are transplants. They migrate to Harlem from another place. A lot of them are from the south, so they bring those southern influences with them.
You know, if Michael Jordan can scream at the refs, me as Kanye West, as the Michael Jordan of music, can go and say, 'This is wrong.'
When Barack Obama got elected, I remember being in Harlem specifically. I remember watching that whole part of town just swell. People walked the streets, but it wasn't a riot - it wasn't mayhem. It was a unified feeling of euphoria.