A Quote by Debbie Allen
A director just pushes them a little this way or that way.
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I think the financial restraint really pushes me as a director to be more creative with the way I shoot the film.
I hope that in another way we can move the need to say, instead of being a Black director, or a woman director, or a French director that I'm just a director.
I aspire to be an instrument of the director. I'm happiest like that. The stronger the director, the more I'm willing to give them. It's not just about admiration for their films, it's how they deal with you, and whether they get you or the way you work. If they don't, you better adjust your way of working to suit them. I want to work with people who are good at what they do, and people who are passionate. As you get older, you suffer fools less easily. That's why there's all those cranky character actors. I'm an exception. I'm a sweetheart.
The young woman was crying, in the way that grownups cry, keeping it inside as much as they can, and hating it when it still pushes out at the edges, making them ugly and funny-looking on the way.
But it's never just been the journals that have made the difference, I don't think. It's also the way the students are with one another . . . the way they talk about books and authors and themselves. Not just their problems, but their passions too. The way they form a little society and discuss whatever matters to them. Books light the fire-whether it's a book that's already written, or an empty journal that needs to be filled in.
I still think there is a way to take all the mistakes that we've made as adults and put a little bit of a salve on them, a little bit of a fix on them, if we just are a little smarter in what we teach our kids.
You have to look at the effects of something like 'Little Britain,' of how the stereotypes it pushes has impacted society and the way people interact with each other.
I always think of it like this: Rather than be the sun to someone and light up everything around them, I want to be the moon and light the way just a little in front of them when they are lost or uncertain in the darkness, and always be there with them when they look up. That’s my way of living.
The way that I deal with actors as a director is I just talk to them forever before we even arrive on set.
What I love about new technology is that it really pushes the art. It really pushes it in a way that you can't imagine until you come up with the idea. It's idea-based. You can do anything.
I don't know that I make a big distinction between the big pieces and the little pieces, because I don't experience them in that way. I mean, by the same token, you're out touring with a band and then you're writing string quartets, and in a funny way, isn't it all the same, in a way? It's all just music.
For, as I said a little way back, perfect souls are in no way repelled by trials, but rather desire them and pray for them and love them. They are like soldiers: the more wars there are, the better they are pleased, because they hope to emerge from them with the greater riches.
Way, way, way back I played a little bit, but I am definitely not a golfer. You know, it just takes too much time anyway during the course of the day.
I know as a director I hit it out of the park sometimes, and sometimes we haven't, and that's kind of the way art goes. You just have to be willing to take the 'failures' and learn from them, make the best of them.
When an actor plays a scene exactly the way a director orders, it isn't acting. It's following instructions. Anyone with the physical qualifications can do that. So the director's task is just that – to direct, to point the way. Then the actor takes over. And he must be allowed the space, the freedom to express himself in the role. Without that space, an actor is no more than an unthinking robot with a chest-full of push-buttons.
I like to adapt to a director's way of working. I love doing that. Each director is so different, and you have to adapt to this new way of doing something. That's what's amazing to me. That's why I love directors. I don't want to director to have to work around me. I think it's more fun for me to come in on their thing.
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