A Quote by Debbie Allen

But it was not possible to do this movie, in this matter of time, without a solid rehearsal period. — © Debbie Allen
But it was not possible to do this movie, in this matter of time, without a solid rehearsal period.
On movies, I like to involve the cast in the writing of the script. I like to have a rehearsal period, after which I do the last draft, which gives me a chance to incorporate anything the actors have come up with during the rehearsal period, so I'm very inclusive as a writer.
I feel like with 'Hubie,' it was just a matter of the difference between working on a movie versus a TV show. TV shows, it's like a long period of time and you're living there, and with this movie, it was kind of in and out.
The rehearsal period is so far away from the time when the scene will actually be shot that very little is remembered.
You do a movie. However long it lasts, it begins and it ends in a relatively short period of time. In a given period of time, let's say a year, you can have three, four, or five different experiences which is exciting.
I believe from my many experiences that the spirit world is more real, more solid, than this earth in which we live. In truth, ours is a world of illusion. All that seems so solid is yet just a mass: molecules locked together, forming an impression of solid matter that in fact is not solid at all.
We rehearsed our 'Scarface' to the nines. Long period of rehearsal, so that by the time we started to shoot, it was almost like doing a play. We all had a grand time doing it. It was a wonderful cast.
Carbon dioxide is unusual because it doesn't go through the usual three phases of matter, from solid to liquid to gas, but it goes straight from solid to gas. The volume of the gas is much greater than the volume of the solid. When a solid turns into a gas, we say it sublimes. The process is sublimation.
The idea of doing a period movie, some people say, "Isn't it odd that you're doing a period movie? That's a change of pace for you." And, I'm like, "Not really." When you're doing a science fiction movie, it's almost exactly the same.
I was living in a terrible time when people were being accused of being communists, and they attacked the movie industry, especially the writers. People couldn't work if they were on the blacklist. The studios banned them. It was the most onerous period in movie history. I don't think we have ever had a period so dark as that.
Horror movies are always a solid dollar. But a movie about Groucho Marx is a gamble. These things just are. Doesn't matter who you are.
I think rehearsal can be important if it's done in a way that works. Often, rehearsal can be a waste of time.
All the real work is done in the rehearsal period.
In theater, you have a rehearsal period and you know just who to be.
Movie-wise, there is nothing I wouldn't do again. It's not possible to make one perfect movie every time.
On indies it's hard to do, but in rehearsals, you make mistakes in rehearsal. It's really hard rehearsing a play or what rehearsal you get on any movie. That's where you get to make your mistakes, and you make big ones. So when you shoot [the movie] or you finally get the play in shape and do it, the mistakes are out of the way. If you're not afraid to make mistakes, then there is no writer's block or actor's block.
Strictly speaking, no activity and no industry is possible without a certain amount of violence, no matter how little. Even the very process of living is impossible without a certain amount of violence. What we have to do is to minimize it to the greatest extent possible.
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