A Quote by Debbie Ford
You have been called to be who you are - the whole luminous light. No one can dim your light when you are fully present to the depth and breadth of it.
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Consider paint a film of light reflecting/absorbing material, and a colored paint a material which gives a particular, characteristic transmission of light via differential absorption and reflection. Call this reflected quality 'luminance' and measure it in millilamberts. This measure is as real and present as height, breadth, depth; and I find the phenomenon equally sumptuous and convincing. . . . Painted light, not color, not form, not perspective, or line, not image, or words, or equations, is painting. I make paintings which do not represent light, they are light.
Guard your light and protect it. Move it forward into the world and be fully confident that if we connect light to light to light, and join the lights together of the one billion young people in our world today, we will be enough to set our whole planet aglow.
A man who can do everything fully consciously becomes a luminous phenomenon. He is all light, and his whole life is full of fragrance and flowers. The mechanical man lives in dark holes, dirty holes. He does not know the world of light; he is like a blind man. The man of watchfulness is really the man who has eyes.
. . . integral wisdom involves a direct participation in every moment: the observer and the observed are dissolved in the light of pure awareness, and no mental concepts or attitudes are present to dim that light.
My works are about light in the sense that light is present and there; the work is made of light. It's not about light or a record of it, but it is light. Light is not so much something that reveals, as it is itself revelation.
Light has called forth one organ to become its like, and thus the eye is formed by the light and for the light so that the inner light may emerge to meet the outer light.
Light seeking light doth light of light beguile: So, ere you find where light in darkness lies, Your light grows dark by losing of your eyes.
I think the best part in going to the movies is you feel something and you relate whether its to family struggles or dimming your light for someone. I would say to never dim your light and to really, truly follow your dreams.
I think the best part in going to the movies is you feel something and you relate whether it's to family struggles or dimming your light for someone. I would say to never dim your light and to really, truly follow your dreams.
Light is undiminishable, eternal and omni-present. In every religion that existed these qualities have been recognized as divine. So that we are forced to the conclusion that light, actual sensible light, is indeed the direct vehicle of divinity: it is the consciousness of God.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
We are made happy when reason can discover no occasion for it. The memory of some past moments is more persuasive than the experience of present ones. There have been visions of such breadth and brightness that these motes were invisible in their light.
All human souls, never so bedarkened, love light; light once kindled spreads till all is luminous.
History in Burckhardt's words is 'the record of what one age finds worthy of note in another.' The past is intelligible to us only in light of the present; and we can fully understand the present only in light of the past. To enable man to understand the society of the past and to increase his mastery over the society of the present is the dual function of history.
It's crazy how your mind works because you can receive hundreds and thousands of all these love posts and all this good affirmation on Instagram or Twitter. And then that one person writes one thing that dims your light but that's the thing you can't let it dim your light, because what I've realized - it's really not your problem, it's theirs.
For low light, all the light rays participate. We're using all the light coming through a large aperture to make a picture with a large depth of field - totally impossible with a conventional camera.
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