A Quote by Debbie Gibson
I think I have a very nice demeanor, but at the same time, when pushed, I will freak out. I have a backbone, but I don't feel like I'm terrible about it.
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So I've been pushed farther and farther out into the mountains, but at the same time realizing that that experience is really nice and I'm glad I'm getting pushed out there farther.
Dear friend, I feel great! I really mean it. I have to remember his for the next time I'm having a terrible week. Have you wer done that? You feel really bad, and then it goes away, and you don't know why. I try to remind myself when I feel great like this that there will be another terrible week coming someday, so I should store up as many great details as I can, so during the next terrible week, I can remember those details and believe that I'll feel great again. It doesn't work a lot, but I think it's very important to try.
I feel L.A. is unlike anything I've experienced. It's nice when I can relate to people, but that's not very often. I know they're out there, but I feel that there's a very big pressure here to be seen as being gorgeous and special. I don't think there's the same pressure in Australia.
Stuff I like is getting trashed and stuff that is being praised I think is terrible. I don't really feel in sync with what's happening, but at the same time, what I think keeps me afloat is that I try not to be, and don't want to be, very indulgent. I try to make the films as lean as possible, and to not spend a lot of time crawling up my own ass creatively.
The whole point of what I do - the monster ball, the music, the performance art aspect of it, I wanna create a space for my fans where they can feel free and they can celebrate because I didn't fit in in high school and I felt like a freak, so I like to create this atmosphere for my fans where they feel like they have a freak in me to hang out with and they don't feel alone.
If I'm writing a story and you're reading it, or vice versa, you took time out of your day to pick up my book. I think the one thing that will kill that relationship is if you feel me condescending to you in the process. And how does that happen? Well, it happens when I know more than you do, and when I know that I know more than you do, and I'm holding it back from you. So that I can then manipulate you at the end. You know, you think about like in a dating situation how terrible that would be, it's the same thing with a book.
I'm mystified by the stuff that doesn't work. I'm mystified by what's going on in the critical side, too. Stuff I like is getting trashed and stuff that is being praised I think is terrible. I don't really feel in sync with what's happening, but at the same time, what I think keeps me afloat is that I try not to be, and don't want to be, very indulgent. I try to make the films as lean as possible, and to not spend a lot of time crawling up my own ass creatively.
I think the one I'm most proud of as a songwriter is 'Breaking Your Heart' because it was just a different style for me. It was very - I feel like it was very old-timey Patsy Cline. It's got a very '50s feel to it, and I pushed myself to write those lyrics very intimately with my co-writer Ted Bruner.
There are story-room sessions where you think about the big picture, like a novel, but once you have certain things in place, you have to treat each episode like an hour of TV, and think that maybe this will be the only episode that anyone will ever watch. You want to have some sort of beginning, middle, and end to the episode, even if you have storylines that are carrying over. You still want it to feel like a cohesive hour of entertainment. And you can't think about both at the same time.
Obviously there's something very seductive about movies, which can be attractive in a bad way if you're doing them for the wrong reasons — for money, or for fame. I hope I won't ever do that. I don't feel at home in L.A., I feel like I'm on holiday. It's nice to dip your feet in occasionally, but I think it's probably quite unhealthy to spend too much time there at once.
I think I started out okay but with AIDS came a great deal of silence about gayness and this period of lose and morning, but at the same time a kind of feeling like you wanted to get back into the closet because being gay was such a terrible thing at that point.
So, it's a delicate thing, but at the same time our producers and writers are very much aware of the potential downfall that could ensue so I think they're going to be very careful about how they do that. At the same time I don't think they want to leave the characters in the same holding pattern that they've been in for a while. I think that they're all trying to put the characters in a different situation.
I think the great thing about acting is that it's not all the same. You're constantly challenged and constantly pushed to your limit. It's nice to see how your body can adapt to these things.
Honestly, I believe that you are only as good as your last game. And so there were games and tournaments and days when I was like, "I'm probably the best player in the world." And there were some where I'm like, "Oh god, I'm terrible." I think that pushed me all the time.
I feel like I've been very underrated and very kind of disrespected so far in my career. I just take the same approach every time out: try to go out there and dominate and be the best player on the court.
We shall never meet, but there is something I want you to know. My time is not the same as your time. Our times are not the same. And do you know what that means? That means that time does not exist. Do you want me to repeat that? There is no time. There is a life and a death. There are people and animals. Our thoughts exist. And the world. The universe, too. But there is no time. You might as well take it easy. Do you feel better now? I feel better. This is going to work out. Have a nice day.
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