A Quote by Debbie Harry
I don't really memorize every little thing I have to do because then I start to think about it too much! I like to keep it in the here and now and not what's coming up.
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For me, I try not to think about it too much, because you find that if you think about it too much, then you start to panic at every little thing that goes on in training.
Just because you've had one or two of those games, you can't really go back to the next practice and change everything. That's the most important thing in those situations that you don't think too much, you don't try to change too much because then you're going to be in deep trouble, that's what I think. It's all about keep working on what's been successful for you and keep believing what you're doing is the right thing.
We like to keep Mehr's pictures little private because everyone's pictures start coming on social media and then there is so much pressure on the kids, the paps flash in their eyes and I am not comfortable with it.
I think that's the worst thing that can happen, when you start thinking too much. I don't like that so I just talk to my players because then you do not have time to think.
I think Westlife is very unique: we have a certain sound; we do our thing our way, and we don't try to change too much. I think that's what the fans love about us. We keep giving the fans what they want every year. The style of music never really changes too much.
You have to think for an email. What's the subject? What's it about? It takes two seconds to think about that. So you have to think, Is this a work thing or a social thing? Which? Then you get into a situation that you don't want to be in, because then people are thinking about it too much.
You know, I think everybody I've seen has come from some other therapy, and almost invariably it's very much the same thing: the therapist is too disinterested, a little too aloof, a little too inactive. They're not really interested in the person, he doesn't relate to the person. All these things I've written so much about. That's why I've made such a practice really, over and over to hammer home the point of self-revelation and being more of yourself and showing yourself. Every book I write I want to get that in there.
I don't think you could function on set if you think like that. I think once you start to think of the impact, then you're not really coming from a truthful place. I think the best thing to do for me is what's worked in the past.
I feel really good, then I start to practice, and then I think maybe in a couple of months I can come back and I really believe it. Then I do a bit too much and wake up one morning not feeling well again.
I don't really think about the runs too much. I mean, if we get, like, a five-run lead, then I'll start to pitch according to that.
The social media bit is really about documenting process. I like the dialogue if it's constructive, but I'm now at a crossroads. I've accumulated a lot of followers, and it's great, but I'm also at that teetering point where people are feeling themselves a little too much, commenting a little too much.
I think any start has to be a false start because really there’s no way to start. You just have to force yourself to sit down and turn off the quality censor. And you have to keep the censor off, or you start second-guessing every other sentence. Sometimes the suspicion of a possible false start comes through, and you have to suppress it to keep writing. But it gets more persistent. And the moment you know it’s really a false start is when you start … it’s hard to put into words.
It’s hard to stay mad, when there’s so much beauty in the world. Sometimes I feel like I’m seeing it all at once, and it’s too much, my heart fills up like a balloon that’s about to burst... And then I remember to relax, and stop trying to hold on to it, and then it flows through me like rain and I can’t feel anything but gratitude for every single moment of my stupid little life...
It felt like a series of coincidences and luck that I ended up getting the part in 'Trainspotting,' but it's been an incredible journey since then. Every now and then, I sit and really think about it, and it blows my mind. I have to stop because I don't want my brain to implode.
A good glass of red wine or maybe a little bit too much every now and then is just fine. Heavy boozing, not so much, because you don't recover enough from it.
It's very hard, I think, for critics to write positive reviews, because there's not that much to say about something you like. You can kind of say 'I really like that band' and then if you're forced to fill up the rest of an article, you've got to start saying heady things. It's much easier to say negative things in a review.
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