A Quote by Debbie Reynolds

I never dreamt of being in the movies. I was from a very average, I would say, a rather poor family, so my big treat was to work hard all week - I mowed lawns and babysat and washed dishes and washed cars - to go to the movies.
I feel like I grew up being babysat by a television, and all I ever wanted to do was be in movies, direct movies, make movies, but it took me a really long time to be honest with myself about it because my background is that my family was very poor.
I washed dishes so I could make movies. it was never a way for me to make money.
I think people want to stay home and run movies with their whole family at home. It become a family hobby instead of going out to the theater, sad to say. But I think it's very good because it reaches millions that would never see these movies.
A lot of parts of L.A. are interchangeable with suburbs in Joburg. Very big, ostentatious houses with palm trees and lawns. Lawns are very important. Never underestimate lawns.
I was a big fan of Greta Garbo and that era of movies, so I dreamt watching those movies.
I lived a sloppy life. So I took very small increments in my life. I started making my bed. I started cleaning my room. There were dishes in the sink. It started off with doing small house chores. I saw that the yard needed to be mowed. So instead of being told it needed to be mowed, I would mow it.
You be greater than your feelings. I don't demand this of you - life does. Otherwise you'll be washed away by feelings. You'll be washed out to sea and never seen again.
One thing I always heard from the begining when I talked about this being a movie - was that the rule is that animated movies don't work unless they're Disney movies for kids. Unless they're family movies.
And, of course, millions of us cross the border to work in US homes and gardens and factories and carpentry shops and restaurants, and if you go to a restaurant pretty much anywhere in the United States, the chances are that the dishes will be washed by a Mexican.
I liked work shoes and big, working-class hands. The stars would come and go, but the crew on my movies was my extended family.
My mother cleaned houses. I washed dishes.
As an actress, I always wanted to do movies, and I never dreamt about doing movies in America just because I didn't think it was possible.
It costs a lot of money to release a movie. What you'd call art-house movies - movies that don't have big stars or big budgets - they're very hard for distributors to get behind 'em and take chances.
The model we established was to give creative people complete creative freedom in exchange for betting on themselves, so they work for the minimums you're allowed to work for, and if the movies work in a big way, everyone does very well. If the movies don't, nobody loses too much money. The benefit to doing all the movies low budget is we can tell different types of stories and take creative risks. The Purge would have been irresponsible to do for $20M, but to do it for $3M makes sense.
Nowadays the movies that people are going to see in the theaters are the big-event movies, like Spider-Man or something, or they're 25-year-old models who are vampires, or they're very broad comedies, or they're standard action movies. So if you're going to work for a studio and do a movie for the budget that the movie needs, those are the kinds of movies you'll be in.
I learned at a very early age that life is a battle. My family was poor, my neighborhood was poor. The only way that I could get away from the awfulness of life, at that time, was at the movies. There I decided that my big aim was to make money. And it was there that I became a very determined woman.
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