A Quote by Debbie Reynolds

I still perform live primarily. I just keep traveling and doing live shows. The main difference in film, you know in your mind that you are doing it for posterity, you are doing for the eventual audience and it will be around forever.
I just keep traveling and doing live shows.
There's a gratification that comes from performing in front of a live audience, and you can't replicate that with anything else. In the studio, the creation part of this business is fun. But, when you see the fans letting you know that they enjoy what you're doing, that's why I keep doing what I do.
Scott and I had just worked with Jimmy Pardo doing a live show over the summer. And it was a lot of fun and we wanted to keep doing a live show. And as Scott said, we knew a lot of funny young people who needed a place to do stand-up. And we were in a place, where we were writing so much that we weren't around live comedy so much, so we kind of missed it.
If you're the sort of person that likes a job where once you know what you're doing you can keep doing what you're doing, don't ever become a film composer.
I felt that, as time went on, an audience gets to know you and in a weird way, you kind of feel like you get to know the audience a little bit. When I'm doing stand-up gigs now, I feel like I'm doing gigs in front of people I know. I think that's the result of doing late-night shows for so long.
We learnt a lot from doing Panto, actually back when we were still doing 'SMTV: Live.' We learnt how far we could push things and the show was all the better for that. I think that taught us you really have to know your audience because you could see how they would react to things.
People ask 'How does doing a film compare to doing an ad?' Well, when you're doing a commercial you don't have to sell tickets. You have a captured audience. Which is actually completely rare and great; it gives you a lot of freedom. When you make a film, you have to do advertisements for the film.
I will be doing a film called Whispers, for Disney. It's about elephants, and doesn't have any people in it. It will be a live action film - I don't know how much I can say about it, since I still don't know too much about it.
But the answer to how to live is to stop thinking about it. And just to live. But you're doing that anyway. However you intellectualise it, you still just live.
If I know my showboating bothers you, I'll keep doing it. If playing with your mind is part of the arsenal, and I know it works, then I'm going to continue doing it.
I do know that there is a difference between artists who are career-driven and artists who have a calling and are just compelled to make music, compelled to perform live, and the business isn't the reason they're doing it. In fact, there isn't really a reason. You just do it.
When you're frightened don't sit still, keep on doing something. The act of doing will give your back your courage.
I think in 2016 I'm going to focus on performing a lot more and doing as many shows as I can. There's plans to tour more, and that's where my heart is - doing the live shows.
I think from doing so many live shows it gives you a real appreciation of being present. You don't know what's going to happen, you don't know what is around the corner.
It was like in the film, when I was actually doing a take and wasn't quite sure of the context, and then in the completed film it works beautifully.In the end I didn't know why I felt so shitty doing it, and why it turns out great in the final product. I guess you have to live in that unknown.
I love what I do, and I think I've appreciated it more throughout the years, but just to keep on traveling, keep on doing shows, and hopefully making better albums. That's always my goal.
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