A Quote by Debbie Reynolds

All the training at MGM came to be a great help for me on 'Molly Brown.' — © Debbie Reynolds
All the training at MGM came to be a great help for me on 'Molly Brown.'
When I came to Mumbai to act and it didn't work out for me for few years, I thought I will go back to training but casting room has been a great training space for me.
Her voice is thin and her moan is high, And her cackling laugh or her barking cold Bring terror to the young and old. O Molly, Molly, Molly Means Lean is the ghost of Molly Means.
Ulysses pissed me off. When Molly Bloom just says, "Yes I said yes I will Yes." And I'm thinking, You should be saying no, Molly. How about no? Saying no is great.
When I came to Afghanistan, I couldn't choose the training camp; al Qaeda and the Arabs ran the camps. I said, 'Hey, I want to help.' They said I could not until I had training. I said, 'OK, I'll take the training.'
You might have mentioned this to me Molly,” said Leonard. “The fact that there are hostile natives on the island.” “I forgot,” said Molly. “You forgot?” said Leonard. “There’s been a lot happening,” said Molly.
'The Unsinkable Molly Brown' was my favorite for me to be in because it was all dancing. There were other musicals that I made with Donald O'Connor and Gene Kelly that were wonderful pictures, and we had a lot of fun making them.
I very comprehensively studied Irving Thalberg and his biographies. He's who [Scott] Fitzgerald roughly modeled the character after. He worked for him, as a writer, when he was at MGM. And, of course, I revisited the novel and the politics of MGM and the studio system at the time and familiarized myself with the world. There was a great deal of physical and literary work that went into it.
I like pressure. It's that kind of thing that will actually help me perform to the best of my abilities. It will help me with training. It'll help with everything.
I came from the theatre, which had given me opportunities in television as well as a film adaptation of my second play 'Daddy's Dyin'... Who's Got The Will?' for MGM.
I play the unsinkable Molly Brown, which is where she got her name from, because she survived.
When I first played New York, it was with James Brown at the Apollo, and I was playing in a band under the name The Valentinos. I remember Sam Cooke saying, 'I want you to go in there with James Brown. I couldn't be as hard on you as James Brown would be.' But we came out marching like soldiers.
Niggas can say they pop molly, but do you really? I doubt it. I can't imagine Kanye popping a molly.
Both of my parents sacrificed a lot. My dad, Tero, would drive me to training every single day. My mum, Teija, came to Seville to help me. She did everything for me. It was such a big place to go at 17. Even if you can speak English, it doesn't matter there. It was all Spanish. They don't do English.
It turns out that Molly wasn't her mother's daughter in that respect. Charity was like the MacGuyver of the kitchen. She could whip up a five-course meal for twelve from an egg, two spaghetti noodles, some household chemicals, and a stick of chewing gum. Molly ... Molly once burned my egg. My boiled egg. I don't know how.
I came into the League at 18-years-old. I didn't have a lot of experience in training the right way. I probably came into the league at 175 pounds; now I'm 190 ... It's all about training the right way and training for my needs.
Good grief, Molly. He doesn't scare you?" "Of course not." "But he's..." "He's sweet," Molly insisted. Dare snorted. "He's still listening.
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