A Quote by Debbie Reynolds
Everything about the studio was enormous. You walked through the gates of iron, and it was palatial looking. The first day, I was introduced to Clark Gable. He said, 'Hello, kid. Welcome to MGM. I'm just leaving.'
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Who could quarrel with Clark Gable? We got on well. Whenever anyone on the set was tired or depressed, it was Gable who cheered that person up. Then the newspapers began printing the story that Gable and I were not getting on. This was so ridiculous it served only as a joke. From the time on the standard greeting between Clark and myself became, 'How are you not getting on today?'
There's something great about driving through studio gates and leaving all your responsibilities behind.
There was no studio involved when we made 'Stargate.' It was financed through Le Studio Canal+ in France and, after the film was finished, it was sold to MGM. When the film was a success, MGM decided to do a television series based on the movie.
I'd met Harrison Ford before, but he was just finishing a meet with Jon Favreau and the other producers on the film, and we said "hello" as he walked out and I walked in and sat down and had this meeting with those guys. They basically described what they were looking for, and they thought that I brought a certain amount of authenticity to the genre, and would I want to take part? And I said, "Absolutely! I'd love to!"
I went from being a kid-kid, listen to everything from The Beatles through Kiss, Peter Frampton, Jethro Tull classic rock, classic stuff into immediately, it seemed like, Iron Maiden and stuff like that. The first Iron Maiden record and then, obviously, the first Metallica record.
One day, we were going to the studio for John's recording session, and as we were leaving to get to the studio, in the elevator, all of a sudden, John leaned over and gave me a kiss. He said, 'I've been waiting to do this all day.' I said, 'What are you talking about?' What happened was, he'd liked me.
Clark Gable was the first to have called me a mermaid.
Clark Gable once said to me, "'Acting school?' [If you go,] I'll kill ya!"
I was introduced to Amitabh Bachchan by Ram Gopal Varma. He said 'Hello Sudeep' and I just said 'Hi, sir.'
My first day of 'This Morning' was pretty wow, and I think that was just because it was a big huge deal for me. I'd always said 'This Morning' was my dream job so to actually get it and actually be standing there and saying 'Hello, welcome to 'This Morning'... ' that was a big moment.
It was the joy of your life to know Clark Gable. He was everything good you could think of. He had delicious humor, he had great compassion, he was always a fine old teddy bear. In no way was he conscious of his good looks, as were most other men in pictures at that time. Clark was very unactorly.
Leaving Nickelodeon was definitely an adjustment. Because then, it was back to the real world of, 'Now I'm an adult looking for a job,' as opposed to a kid that's getting introduced to all these people like, 'Look how cute this little kid is. Don't you want to put him on your show?'
I'm just glad it'll be Clark Gable who's falling on his face and not Gary Cooper.
Looking out the window and seeing the MGM and Floyd Mayweather takes me back to when I was a kid. Those were the places you'd hear about, the ones that staged big fights and top fighters. You always want to one day fight there yourself.
I learned early on, having known the most handsome, successful, Gary Cooper, Clark Gable, Robert Taylor, don't ever spend too much time looking in the mirror.
When Clark Gable, MGM's most popular and famous leading man asked for a percentage of the profits from his films, he was flatly refused. A top executive was reported to have said, He's nobody. We took him from nobody. We lavished him with lessons and publicity and now he's the most desired man in the world. Who taught him how to walk? We straightened his teeth and capped them into that smile. We taught this dumb cluck how to depict great emotions, and now he wants a piece of the action? Never!
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