A Quote by Debi Thomas
I've got this thing with skating and school - to see how much I can accomplish.
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I usually just write down what I'm doing and how I felt. How I felt if I'm skating fast, compared to if I'm skating slow or if I'm tired. I can always go back and look as a reference and see what I was doing. It's pretty much my life on ice.
And as you got older, the training became more developed and precise. We did plays, we had voice classes with great dialect coaches. But I was never into it on a school level; it was this kind of private little thing I did. At school I was a rugby guy. At school I was a rugby guy. I was causing trouble with my mates and skating and tagging buildings, and smoking bongs.
I want you to stop running from thing to thing to thing, and to sit down at the table, to offer the people you love something humble and nourishing, like soup and bread, like a story, like a hand holding another hand while you pray. We live in a world that values us for how fast we go, for how much we accomplish, for how much life we can pack into one day. But I'm coming to believe it's in the in-between spaces that our lives change, and that the real beauty lies there.
At the close of life the question will be not how much have you got, but how much have you given; not how much have you won, but how much have you done; not how much have you saved, but how much have you sacrificed; how much have you loved and served, not how much were you honored.
Largely, I began skating because I wanted stuff to do outside of school. My mom decided to put me into figure skating.
In high school, I got picked on. It's funny that I got tormented for what I'm doing now - the acting thing. People would see me in a Nickelodeon commercial, and I would hear about it the next day at school. Kids would say, 'Hi, TV Boy.' They heckled. I never got beat up.
Skating becomes more important to me every year. It's obviously harder as age takes a toll on the body and the brain, and I think because of that, competing becomes much more difficult. That's why those who stick around are always so appreciative of others' skating because we know how much work goes into it.
I got into figure skating for the art of it, as well as the sport, and how much I love it. And, you know, I do everything that I want. I march to my own drummer. Sometimes people have an issue with that, and I can't control it.
I attended public school in Houston. I took piano lessons for several years, and in high school, I played trombone in the marching band. I remember especially enjoying two seasonal activities: ice skating with the Houston Figure Skating Club in the winter and visiting an aunt and uncle's farm in West Texas in the summer.
There're two different kinds of skating. There's the style skating, and there's the trick skating. He (Tony Hawk) does the trick skating so heavy duty, that he can overcome the style skating. There's always the chance that the style skater can come back, but the whole deal really is learning tricks.
We need to remind people how fun skating is, how quirky skating is. If we went on TV and overlooked the cold, hard truths and the quirkiness, I don't think that's bringing anything to the fans.
I would recommend anybody who gets a chance to see short track skating, make it a point to go out there when Apolo is skating because you won't see anybody better.
I started skating at age 2 on roller skates on the South Side of Chicago, where I grew up. By age 4, roller-skating was something I really enjoyed. Everyone around me wanted to do the 'roll bounce' thing, but I was pretty much only interested in going fast.
One thing I like about boxing is that I will not have to deal with the same kind of politics that I had to in skating. In boxing, it is not about your appearance, or how your costume looks, what color it is, or how much it costs.
Figure skating has been a great influence for me. I took dance at the School of American Ballet, which helped my own skating. And whether you are a skater or a dancer, without sounding narcissistic, it is all about looking in the mirror.
My parents took me to Sam Ash, and I got a pretty cheap setup - a MIDI keyboard and one of those cheaper mixers - but it was dope, though; it was something. That was kind of how it was: just going to school, skating back home, making music, telling my parents I did my homework.
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