A Quote by Deborah Copaken Kogan

When it comes to writers, I'm a huge fan of Ian McEwan. I've never taken a writing course, but reading and deconstructing his novels has been as good a lesson as any. — © Deborah Copaken Kogan
When it comes to writers, I'm a huge fan of Ian McEwan. I've never taken a writing course, but reading and deconstructing his novels has been as good a lesson as any.
Since my adaptation of Ian McEwan's 'Atonement,' I get sent a lot of novels that people think will work as movies. So every now and then I make a point of sitting down and reading a couple of them.
There are few writers who, if they publish anything, I am going to buy it: Ian McEwan, Scott Turow, Pat Conroy - he was a buddy of mine and I always read his stuff. Also: Harlan Coben, Elmore Leonard, John Le Carre, but he's pushing ninety.
There are some novelists who can get away with writing about sex - Philip Roth, Ian McEwan - but they are rare.
My grandmother is a huge Hawkeyes fan, so I, by proxy, have to be one. I'm more of a professional sports fan, and I've never been a huge college fan, but because of my grandmother, I've gotten into a lot of really good Hawkeye games. So, because I'm a good grandson, I'm a Hawkeye fan.
I read everything by Ian McEwan, he is so elegant. I love reading anything about Shakespeare, too. He is my first love. If I had a time machine, I would be hanging out with him.
One reason I've never been a fan of graphic novels is because a central aspect of literature for me has always been imagining what the things I'm reading about look like.
Ian McEwan is a very good writer; the first half of Atonement alone would ensure him a lasting place in English letters.
McEwan's Atonement…truly dazzles, proving to be as much about the art and morality of writing as it is about the past…. The middle section of Atonement, the two vividly realized set pieces of Robbie's trek to the Channel and Briony's experiences with the wounded evacuees of Dunkirk, would alone have made an outstanding novel…. There is wonderful writing throughout as McEwan weaves his many themes — the accidents of contingency, the sins of absent fathers, class oppression — into his narrative, and in a magical love scene.
I'll tell you who I absolutely adore: Ian McEwan.
I've never taken any classes or had formal training in writing novels. At its most basic, I learned how to structure a novel.
I think all writers are mainly writing for themselves because I believe that most writers are writing based on a need to write. But at the same time, I feel that writers are, of course, writing for their readers, too.
I have dipped into Ian McEwan and so on. I tend not to stick with one writer. But I dip in here and there.
When I grew up I was a huge Michael Jordan fan. That's not very unusual for people to like him, but I just liked reading his books, especially where he came from, getting cut from his high school team. I thought he was a good person, a good role model to look up to.
People like Ian McEwan and Jonathan Franzen completely bore me.
Ever since I was a child, I've been a huge comic and graphic novel fan, but I've never tried writing one before.
There's no lack of writers writing novels in America, about America. Therefore, it seems to me it would be wasteful for me to add to that huge number of people writing here when there are so few people writing about somewhere else.
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