A Quote by Deborah Cox

I always thought that it was every performer's dream. That's the epitome of being an artist, being able to express song, dance and acting in a live theatre setting and really connecting with an audience on that level.
Dance has always been a really important thing for me, so being able to physically express the characters through music and dance is like another layer to things.
Secretly, I'm in awe of Broadway performers. I would love to perform at that level. I love the exchange with the audience. I love being able to sing and dance to express your emotions and the community and friendships that are formed when working on a theater piece.
Being is so significant that it is irreplaceable. You are just yourself. Do something that comes out of you - not to assert, but to express! Sing your song, dance your dance, rejoice in being whatever nature has chosen you to be.
Every night on stage it gets more and more comfortable. I think it really shows in the performances and just being able to revel in it and do it and live the dream I've thought about for so long.
I've always loved musical theatre. I've always been a big kind of closeted musical theatre nerd. I really have always dreamed about being able to do musical theatre.
The journalist in me always loved relating and socialising and connecting with people, but there came a point where I needed to make a decision to stop that being my focus and really focus on acting - an audience are only really going to believe me as a character to an extent if they don't know me as Lily that well.
One of the catches with being a dope artist is saying the same exact thing a trillion different ways, and being able to get across somehow differently every time. The way to express maturity and growth and evolution is to do that throughout the music.
I've been acting my whole life. I have this huge imagination! I'm a dancer and my mom's a dance teacher, and I was always performing and entertaining people. I'd go to see live theatre or a movie, and I'd become the main character for a few days afterwards. I loved being somebody new for a temporary amount of time.
Acting is not being emotional, but being able to fully express emotion.
I really try to keep it hip-hop oriented. For me, that's high energy - people being able to dance, being able to vibe out - but with an ethereal factor. When I perform, I'll have a guy doing live visuals for me or I'll have a guitarist playing a lot of solo, really heavy reverbed vibes and stuff like that.
Acting is not being emotional, but being able to express emotion.
I always kind of dreamed locally - I never really ever dream that I would be south of the border; I dreamed about being a theatre star in Toronto, and maybe I'd do Stratford and regional stuff. I always thought it would be a slow growth.
I always call performing live "giving the people the medicine," because when you're engaged in it, you can feel the sort of soul magic being exchanged between the performer and the audience.
The one thing that I love about the live audience is the energy level. Like, from the minute of cast introductions, it's just constant energy being traded back and forth. When you do something funny, the audience laughs; when you're being serious, you can, like, feel the tension going through the audience.
My whole background was with bands, so I always thought of "fashion" as performative. It took me a long time to bridge the gap between my music and what I was studying in school, [which was] dance and being a performer.
Whether you are a writer or an actor or a stage manager, you are trying to express the complications of life through a shared enterprise. That's what theatre was, always. And live performance shares that with an audience in a specific compact: the play is unfinished unless it has an audience, and they are as important as everyone else.
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