A Quote by Deborah Eisenberg

I always thought of writing as holy. I still do. It’s not something to be approached casually. — © Deborah Eisenberg
I always thought of writing as holy. I still do. It’s not something to be approached casually.
Growing up, I had always been an avid bookworm and a straight-A student. I approached my cancer the same way I approached writing my senior thesis in college: I buried my head in research journals, interviewed experts and scoured the Internet for information.
I didn't always want to act. My passion was writing, and it still is one of my primary passions to this day, but it wasn't until high school when I started acting in plays that it became a thought of something I might want to do. And when I applied to colleges, at NYU, I was able to study both writing and acting.
I took my morning walk, I took my evening walk, I ate something, I thought about something, I wrote, I napped and dreamt something too, and with all that something, I still have nothing because so much of sum’thing has always been and always will be you.
Through the years, I have always enjoyed anything Chuck Swindoll has written. When I first got into writing Chuck's books really modeled a style of writing that I thought was accessible to people and yet still biblical. I wanted to do that.
We cannot move casually into a better future. We cannot casually pursue the goal we have set for ourselves. A goal that is casually pursued is not a goal; at best it is a wish, and wishes are little more than self-delusion.
All of the most important lessons about writing I learned from my father. He never set out to teach me anything, it would just be something he said casually in conversation.
I started writing out all of my feelings, and people asked me, 'Have you ever thought of recording your music?' It was something I'd always thought of, but I'd never really had the confidence.
I never ever approached a dealer. I have always been approached by dealers or curators or whatever.
I've always thought of my writing as a spiritual practice. But I think that fiction is the most supernatural kind of writing that you can do - because of the ways that the real and the unreal weave together to create something that feels more true than anything.
Almost 70 years have gone by, and I've still got that feeling when I write... Writing, for me, is still it. It has always been the basis of everything I do. I'm a writer who performs, not a performer who writes. I love the act of writing. It's still a thrill for me.
It wasn't a case of me sitting down and thinking, right then, what shall I do with my life? Airline pilot? Plumber? Guitar manufacturer? Writer .... yeah, writer. I've always loved writing, from a very early age--I guess I was writing my first stories when I was still in single digits. It progressed, and the love of writing grew in my mind and is still growing. Doing it full-time, there are different stresses and tensions, and the business side of it comes to the fore sometimes. But I still love it, and I'm always thankful that I can do what I do and make a living from it.
I've always wanted to be in journalism. I even started a course at Loughborough doing media studies. I like all sports, and I am keen on writing. But I thought that while I was still young, I ought to make a real go of it at badminton. So I have put all my focus on playing sport instead of writing about it.
I always tell audiences when I talk about writing: Writing isn't something I do; writing is something that I am. I am writing - it's just an expression of me.
I have been approached now and again about sitcoms, but, with very few exceptions, one simply needs to move to L.A. for at least a year or two these days if one wants to develop a series - which is what writing a pilot means. I've also been approached about writing episodes for sitcoms, but in order to do that one actually has to watch sitcoms. . . . Life's too short for television, and I don't what it on my actual gravestone, HE STARED AT A BOX FOR 10,000 HOURS.
I don't think anyone is ever writing so that you can throw it away. You're always writing it to be something. Later, you decide whether it'll ever see the light of day. But at the moment of its writing, it's always meant to be something. So, to me, there's no practicing; there's only editing and publishing or not publishing.
I've always had a flare for the dramatic. I thought about being an actor and I thought about directing, but writing truly became something I needed to do, just to stay sane. It's my over-pressure valve.
This site uses cookies to ensure you get the best experience. More info...
Got it!