A Quote by Deborah Eisenberg

I would say the reason that I've never written a novel is because I've never written a novel. — © Deborah Eisenberg
I would say the reason that I've never written a novel is because I've never written a novel.
I have never started a novel - I mean except the first, when I was starting a novel just to start a novel - I've never written one without rereading Victory. It opens up the possibilities of a novel. It makes it seem worth doing.
I've never written an autobiographical novel in my life. I've never touched upon my life. I've never written a single scene that I can say took place.
I'd never written a novel before, and I wrote a novel, and that turned out OK.
I've never written a novel before, and part of the reason I haven't is I was worried about getting 50,000 words into a book and realizing I'd made a mistake on word three that would mean throwing everything out.
People don't like to say comic so they say Graphic Novel, despite the fact that I don't think the true Graphic Novel has been written anywhere.
I've never been that person who thought that because I've written one novel, I should write another and another. It's only when there was another novel to write that I was going to write another.
I've never made an outline for any novel that I've written. Never.
From the beginning [of the Lincoln in the Bardo], I actually had it in mind not to write a novel. I'd kind of gotten past that point where I felt bad for never having written a novel, even to where I felt really good about it, like I was a real purist.
When I was writing my first novel, 'Elizabeth is Missing,' I was writing the only novel I had ever written and writing about the only protagonist I'd ever written about. Because of this, I didn't think of her as a construct. Maud was real.
A Marxist has never written a good novel.
You may be able to write a novel, you may not. You will never know until you have worked very hard indeed and written at least part of it. You will never really know until you have written the whole of it and submitted it for publication.
If you haven't written a novel by the time you're forty you never will!
Many writers will get a contract by selling chapters and outlines or something like that. I wrote the entire novel, and when it was all finished, I would give it to my agent and say, 'Well, here's a novel; sell it if you can.' And they would do that, and it was good because I never had anyone looking over my shoulder.
The things that the novel does not say are necessarily more numerous than those it does say and only a special halo around what is written can give the illusion that you are reading also what is not written.
I would like to write a novel, or at least try to write one, although my motives are not entirely pure. For one thing, I get asked about writing novels so much that I feel guilty about never having written one. And although I have no strong desire to write a novel, I would hate not to try. That would just be silly. On the other hand, I hate the idea of slogging through something that turns out to be not good.
By the time I was doing "Kill Bill," it was so much filled with prose that, you know, I start seeing why people write a screenplay and make it more like a blueprint, because basically I had written - in "Kill Bill," I had basically written a novel, and basically every day I was adapting my novel to the screen on the fly, you know, on my feet.
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