A Quote by Deborah Eisenberg

The first story I wrote was called 'Days,' and I have very little affection for it. — © Deborah Eisenberg
The first story I wrote was called 'Days,' and I have very little affection for it.
I was about 28-29 when I wrote my first story, and that was called 'The Garden of Abdul Gasazi.'
When I wrote my first film and then directed it and I looked at it for the first time on what's called an assembly, you look at this movie which is every scene you wrote, every line of dialogue you wrote and you want to kill yourself the minute you see it. It's like, 'How did I write something so horrible?'
With my two brothers, Jean-Marie and Joel, I wrote a two-page story and wanted to make some kind of movie. We met a French production company, called Why Not?, and the first name we put on the list was Ken Loach. It was a dream for all of us. So, we tried and we met Ken and Paul Laverty, his writer, and they read the two pages and were inspired by that to do something. Paul had the freedom to do his own story - and he wrote his own story, which is better than the one we'd written.
In the early days, I had very little idea about arrangements, and I wrote songs a little flat, as it were, just on an acoustic guitar. They didn't really have quite enough nuance.
A father is very miserable who has no other hold on his children's affection than the need they have of his assistance, if that can be called affection.
I think the first song I ever wrote ... was called "Can't Help Thinking About Me." That's an illuminating little piece, isn't it?
I have written a few children's books. The first book that I wrote was for children. It was called "The Package", and it was a mystery story in pictures. It had no words.
I have written a few children's books. The first book that I wrote was for children. It was called 'The Package', and it was a mystery story in pictures. It had no words.
The first song I wrote was called 'Here I Go Falling In Love' I wrote it in the sixth grade.
One day, I was running to the river. Along the way there was the most exquisite butterfly, a tiny little thing, on the pavement. I kind of jumped over it. And then two days later I woke up in the middle of the night with a character running, jumping over butterflies on the streets of Nairobi. After that, I followed the story. The story wrote itself.
The very first song I ever wrote was called 'I See Between The Trees,' when I was 9. It was really bad.
There was an ITV television production of the second novel I wrote, called 'Murder of Quality.' It was a little murder story set in a public school - I'd once taught at Eton, and I used that stuff.
There's a song called 'All We'd Ever Need,' which is actually the first song that the three of us wrote together on our first album, and when we wrote that song I didn't have any real experience to pull from.
I used to write random little stupid things when I was five, but then the first song I really wrote was one called 'Fingers Crossed,' which is on SoundCloud.
What I remember most are some of the guys in the background - who they were and what kind of times we had during those days on the set. I remember staying at Mikes house in Hollywood when we first started filming the series. It was the upper story of a two-story building on a little hillside. Mikes wife, Phyllis, was wonderful. Mike and I laughed a lot and played music together. I remember that time very fondly.
"Sassenach." He had called me that from the first; the Gaelic word for outlander, a stranger. An Englishman. First in jest, then in affection.
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