A Quote by Deborah Kaplan
I actually didn't even think about "Josie and the Pussycats" . I was like, "Oh yeah we kind of took some shots at MTV," but I think everyone had a good sense of humor about it. People either got that movie completely, or completely missed it and dumped all over it.
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To be fair, that MTV was very cooperative with the film [ "Josie and the Pussycats" ], and this MTV has been very cooperative. I actually didn't even think about it until you said it.
From a simple, mammal perspective, you think you're going to make friends through the movie. You think, "Oh, this kind of humor that I play with will bring people that have a similar kind of humor. I'll make new friends," or something. You don't even think in terms of audience or of money.
I remember leaving the first 'Matrix' movie feeling completely radicalized, completely changed. I think we all, from our ordinary lives, like to think about putting ourselves into these extraordinary situations and wonder how we'd respond.
I think what we like about music - and what we like about art in general....is that enterprise that stops our minds from spinning. Because we're always all over the place. A good song, a good lyric is a movie: it will just focus and calm and confer significance on this completely bewildering reality that all of us live in.
I certainly didn't say while writing 'Gossip Girl,' 'Oh this is going to be big!' It was really like, 'Oh god, everyone's gong to hate these people! They're so bratty!' But I actually think what is so appealing about them is the humor in them.
When I first started comedy, before I kind of gained any national prominence, I - in a weird way - went back to that. Marc Maron had me on WTF making fun of me about that when I first opened for him. I had this very kind of hip-hop bravado to me, and I realized that now I've let some of that go in my stage presence, that maybe that was because I had dropped that completely from my life, and when I got onstage I sort of rekindled it. And I think now that it was perhaps a defense mechanism that was left over from those days, which I think is kind of interesting.
I think that it's hard for vain people to be funny. I think you can look any way you want as long as you have a good sense of humor about yourself. People who are concerned with their looks and what they're wearing and how they present themselves tend to have less of a sense of humor about themselves.
I think it's really easy for people to point out hypocrisy in people's lives. It's like yeah, I get on planes a lot, and I drank from a plastic water bottle today - you know what I'm saying? A lot of people would just be like, "Oh, you're a hypocrite. You live in an ecovillage for a month, and then you fly around the world to talk about a movie." Don't think that I don't think about those things! Don't think that that's not, like, a quandary in my life. It can be a pretty intense ethical dilemma. I think it's about figuring out, you know, navigating life.
I guess the cool thing about the '80s is the kind of like adventure in terms of, you know, people were very willing to use sounds that were completely ridiculous or whatever. There was a lot of stuff happening in the '80s and it's all over the place. I guess that's probably the coolest thing for me and that's what I like about it. Just kind of that like, 'Oh, what's this sound? Oh that's wacky. Let's use it anyways.'
I had been in a place where I was letting too many people dictate who I should be and what I should be, and I was trying to make everybody happy to the point where it was just killing me. I'd completely lost myself. It's kind of funny now that people think I've completely changed myself for Marilyn Manson, when this is actually the first time in my life that I took a stand and said, "This is who I am and this is who I've always wanted to be, and I'm finally with somebody who lets me be who I want to be."
For the kind of places I've written for and the kind of writing that I've done, the general way to think about your audience is to think about somebody who's like yourself, but in a completely different discipline.
I think everyone's kind of just whistling and pretending everything's OK. At the heart of this is the cover-up, and the misleading the country to war in Iraq. And quite honestly, I don't think Republicans actually did a particularly good or sophisticated job, but I think everybody wanted to be fooled. I remember being on the Bill Maher show talking about how ridiculous this was before the invasion. And, you know, a lot of people, even Democrats, had been so easily thrown into this fear frenzy that they lost common sense.
The Internet's completely over. [...] The Internet's like MTV. At one time MTV was hip and suddenly it became outdated. Anyway, all these computers and digital gadgets are no good. [...] They just fill your head with numbers and that can't be good for you.
I think 'Piranha' won't be in the guilty-pleasure category, because it's gonna be - well, yeah, maybe for some people. From what I've seen, it has a sense of humor about itself, and it's also really scary and really, really violent. I would call it a popcorn movie from the planet Popcorn.
My dad was very excited about me doing 'Laguna Beach,' and he thought it was a great opportunity. My mom, however, living in Chicago, was a little nervous. I mean she had some reservations about MTV. I think there was a point in my life where I wasn't even allowed to watch MTV!
The Control movie is not about suicide, it's not about epilepsy, it's not about everything else, but it's about an individual who was thinking out of the box and took his own passion and created music. His negativity and whatever else, he bottled them up and spilled them out onto his world of music. I think a sense of hope comes from the end of the movie, in my mind. Some people come out of the movie and think, 'That's the saddest thing I've ever seen,' and others come out and think, 'God, there's optimism.'
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