A Quote by Deborah Kara Unger
I was 15 years old at university, studying economics and philosophy, and I saw a retrospective of Australian film. They were very raw. 'Picnic at Hanging Rock,' 'Gallipoli;' they were fantastic.
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When we were in Beijing, they were all "it's an honor, you're playing at the oldest rock club in Beijing". And I was all "oh crazy how old is it?" And then were all: "5 years old."Asia is just very different.
I'm the youngest of four boys, and my oldest brother, Todd, was like a father figure to me. We were very close even though we were 23 years apart. When my parents were working, he was the one there for me. He was diagnosed with lung cancer when he was 15 years old.
Picnic at Hanging Rock' is the exemplary study of disapparition in cinema - I know of no other major film which deals with unexplained disappearance.
My mother and my father had very, very strong Scots accents. We were Australian, and in those days when I was young, I spoke with a much more of an Australian accent than I have now. However I knew that if I went to England to become an actor, which I was determined to, I knew that I had to get rid of the Australian accent. We were colonials, we were Down Under somewhere, we were those little people Over There. But I was determined to become an Englishman. So I did.
There was one occasion when I was very young - eight years or seven years old - that Jewish businessmen went through the forest, and they were assassinated. And that was for the first time I saw in our paper where there were assassinations in our place.
I probably lived more of a rock-star life when I was 15. I got in trouble a fair amount. I cared more about hanging out and skipping school than studying.
I met my wife when we were 15 years old. I knew within 15 minutes of meeting her, that's who I wanted to marry.
When I was 15 years old I read an article about Ivan Boesky, the well-known takeover trader - turned out years later it was all on inside information! But before that came to light he was very successful, very flamboyant. And I thought, "This is what I want to do". So I'm 15 years old, I decide I'm going to Wall Street.
When I was 15 years old, I read an article about Ivan Boesky, the well-known takeover trader - turned out years later it was all on inside information! But before that came to light, he was very successful, very flamboyant. And I thought, 'This is what I want to do.' So I'm 15 years old, I decide I'm going to Wall Street.
I went to university for a couple of years and I didn't enjoy university. The studying and the accountancy, economics, I just hated that stuff. Now the irony is here I am lawyer, accountant, I do it all day every day and sit at a desk. So I've never ended up where I wanted to be in many ways. I always wanted to be a farmer.
By the grace of God, my parents were fantastic. We were a very normal family, and we have had a very middle-class Indian upbringing. We were never made to realise who we were or that my father and mother were huge stars - it was a very normal house, and I'd like my daughter to have the same thing.
The idea of Twitter started with me working in dispatch since I was 15 years old, where taxi cabs or firetrucks would broadcast where they were and what they were doing.
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I was very young, and I was on vacation with my family, and there was a retrospective of old films, and one of them was 'The Phantom of the Opera' with Claude Rains that was in color. It was something very important for my career because I began to follow these stories that were morbid.
I probably lived more of a rock-star life when I was 15. I got in trouble a fair amount. I cared more about hanging out and skipping school than studying. Which I am not recommending teenagers do if they read this.
The 1960s and 1970s were the real years for independent film, because they were really independent. Plus, there were hundreds of distributors. There were all these companies that basically did exploitation, but they were independent. Now, there are very few independent distributors.
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