A Quote by Deborah Mailman

I grew up with horses and cattle, running around on dirt hills with this real sense of space. We didn't have neighbours - well, the nearest ones were kilometres away. — © Deborah Mailman
I grew up with horses and cattle, running around on dirt hills with this real sense of space. We didn't have neighbours - well, the nearest ones were kilometres away.
If cattle and horses, or lions, had hands, or were able to draw with their feet and produce the works which men do, horses would draw the forms of gods like horses, and cattle like cattle, and they would make the gods' bodies the same shape as their own.
But if cattle and horses or lions had hands, or were able to draw with their hands and do the work that men can do, horses would draw the forms of the gods like horses, and cattle like cattle, and they would make their bodies such as they each had themselves.
I'm from northern Virginia, but I grew up next to the West Virginia border, so it was hills and farmland. We had that sense of adventure you get from growing up around old farmhouses and lazy, rolling hills, you know?
Im from northern Virginia, but I grew up next to the West Virginia border, so it was hills and farmland. We had that sense of adventure you get from growing up around old farmhouses and lazy, rolling hills, you know?
The corncob was the central object of my life. My father was a horse handler, first trotting and pacing horses, then coach horses, then work horses, finally saddle horses. I grew up around, on, and under horses, fed them, shoveled their manure, emptied the mangers of corncobs.
Westerns are simple stories where there's good and there's evil and where people had a sense of space and freedom. Growing up in the city, as a kid, you've never really seen that before. It's a beautiful dream to go from concrete to big skies, dirt and horses.
I grew up in the 'hood, but it was like growing up in Beverly Hills because there were so many superstars around.
I grew up with a brother racing dirt bikes and me riding my pony around, trying to see what the boys were up to.
I grew up with horses when I was a kid in Argentina. I like them. I respect them. I'm careful around them. You never know what they're going to do. They're endlessly interesting. I've had some good acting partners that were horses over the years.
Where you grew up becomes a big part of who you are for the rest of your life. You can't run away from that. Well, sometimes the running away from it is what makes you who you are.
I grew up like a lot of country boys and girls do - amongst the pine trees, dirt roads, farms, mules and people who were real.
I grew up riding horses since I was eight. I rode English style and competed every weekend. I had two horses, Scout and Camille, and they were my babies. It taught me a lot about responsibility and commitment. I hope horses will always be in my life.
I'm a contemporary artist with a bit of an unexpected background. I was in my 20s before I ever went to an art museum. I grew up in the middle of nowhere on a dirt road in rural Arkansas, an hour from the nearest movie theater.
I grew up on a dirt road in Maine, and pretty much everybody on that dirt road was related to me, and they were old. And so grumpy.
I feel like I've always been a weirdo. I always grew up with the sense of being a total outsider. I grew up so alienated from other people, and it never went away. When I'm around "normal" people I behave around them as if they are crazy, which makes me seem crazy.
The government sends low-flying helicopters to chase the horses into corrals and then takes them from the plains of the American West to federal holding pens. The government claims it's to save the horses from starvation. Critics claim the real motive is to clear the land for cattle grazing. Critics also say the horses are brutally traumatized.
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