A Quote by Deborah Moggach
The greatest artists know how to entertain, or else nobody would read them.
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You can't write well what you don't read for pleasure. If it doesn't entertain you, it's not going to entertain anyone else.
How would you know if you were the last man on Earth? He said. I don't guess you would know it. You'd just be it. Nobody would know it. It wouldn't make any difference. When you die it's the same as if everybody else died too.
My mantra was to educate people - to actually give them the know-how they could use - and to do it in a very subversive kind of way. I would entertain them, and I was going to teach them whether they knew it or not.
The only people I would care to be with now are artists and people who have suffered: those who know what beauty is, and those who know what sorrow is: nobody else interests me.
An artist is made to entertain. That's their primary goal, to entertain you. But some artists record the moments of time. You wouldn't know what was happening in the '20s and '30s; you got to check the song or art.
I know I'm not creating transcendent works that will someday be taught in college. All I do is entertain. I try to entertain others by sending them into another world for a few hours. When I see my books read on the beach, the pages dabbed with suntan lotion, then I feel as if I've done my job.
My number one goal as a thriller writer is to entertain you. But I've got a chance to not only entertain people, but have them close my book and be smarter having read it.
I respect artists that know how to be artists, that know how to create their own lane and make people respect them for who they are and what they represent.
This is my saddest story: In grade school, they would have us open our Valentine's cards and read them out loud. I always sent cards to myself because nobody else did.
I would love to do something with many artists, you know: Fantasia, Cardi B, Lil Wayne, J.Lo, Alicia Keys, Jennifer Hudson. There's so many of them! All of them are iconic in their own way and to collaborate with any of those artists of that magnitude would be such an honor for me because I grew up listening to them and I love their music.
You know, I didn't write my books for critics and scholars. I wrote them for students and artists. When I hear how much my work has meant to them--well, I can't tell you how happy that makes me. That means that this great stuff of myth, which I have been so privileged to work with, will be kept alive for a whole new generation. That's the function of the artists, you know, to reinterpret the old stories and make them come alive again, in poetry, painting, and now in movies.
My main point is to entertain in a way that is unique and different from what anybody else id doing; to apply my voice in a way that nobody else in the industry is applying theirs.
I feel obligated to offer the audience a good fight, and I have a responsibility to entertain the fans. But I also can't make the mistake of underestimating that bull. I would be stupid if I did. No matter how well prepared I am for a bullfight, I never know what will happen in the ring. I don't know how the bull will react and whether he'll give me an opportunity to display my skills. Perhaps he'll be too stubborn for that. And then there's also the wind that makes me afraid. It's a torero's greatest enemy.
Nobody would take checks from Indians, nobody would give them any credit, and nobody would let them drink in the bars. There was a rudeness, a brusqueness, with which the Indians were treated constantly. At a very young age, that had entered my consciousness.
The secret of business is to know something that nobody else knows. The greatest of faults, I should say is to be conscious of none.
Well, people have been wondering what's going to happen to the novel for two hundred years; its death has been announced many times. You know, I think the novel keeps redefining the world we live in. What you should look for in a novel is a window nobody else is looking out of, that nobody else can look through. What you look for is a voice. You pick up a novel by someone such as Faulkner or Hemingway and you just read three pages and you know who wrote it. And that's what one should demand of a novelist.
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