A Quote by Deborah Norville

So for years I kept mum about my passion for needle arts. — © Deborah Norville
So for years I kept mum about my passion for needle arts.
I started in dance classes when I was, like, seven years old. And the arts in general, it kept me not only off the street, I grew up in South Central Los Angeles, so it kept my mind focused. It kept me passionate about something. So I wasn't easily distracted.
The people who fund the arts, provide the arts, and research the arts have all produced a consensus about the value of what they do, which hardly anyone challenges. But do the numbers add up? For all the claims made about the arts, how accurate are they?
We kept moving forward, kept pretty particular about certain things. Don Handfield is really great with story, so we kept working on it from that angle and developed a lot of IP over the years, which we became very proud of.
I grew up in a one-bedroom flat with my mum. She worked hard and then got a terraced house - nothing fancy. My mum always kept my feet on the ground.
When I was growing up, all the women in my house were using needles. I've always had a fascination with the needle, the magic power of the needle. The needle is used to repair damage. It's a claim to forgiveness. It is never aggressive, it's not a pin.
'Beautiful' was something that I kept really close to my heart, that I kept from a lot of people for years and years. It's my story. And I think that was the first impression I needed to give to people as a solo artist. This is who I am; this is what I'm about.
I did martial arts since I was 10 years old, and I've got as much love for the movies as I have for martial arts, so when I was 18 years old, I started studying performing arts with the eye of getting into the film industry and went to drama school after that.
When I was eight years old, I asked my mum, 'Mum, can I do two jobs?' And she was like, 'Absolutely!' 'Cause I'd like to act for 15 years and then direct for 15 years.'
Our older cousins would help us out. We'd get babysat a lot by some of mum's sisters. They took care of us. But my success in martial arts, getting to be a champion, is down to my mum.
It took me 14 years to write 'Crazy Brave' because I kept changing the form and I also kept running away from the story. I said I don't really want to write about myself. But it's about writing about memory.
If people want to write about my mum's bathroom in her house, all I have to tell you is that 15 years ago, we were cleaning toilets in Stonebridge and getting breakfast out of the vending machine. If anybody deserves to be happy, it's my mum.
I happily claim expertise in no single aspect of climbing, which is what has kept the passion burning hot all these years.
It's a funny thing about looking for things. If you hunt for a needle in a haystack you don't find it. If you don't give a darn whether you ever see the needle or not it runs into you the first time you lean against the stack.
The Jewish people have been in exile for 2,000 years; they have lived in hundreds of countries, spoken hundreds of languages and still they kept their old language, Hebrew. They kept their Aramaic, later their Yiddish; they kept their books; they kept their faith.
I went to a high school for the performing arts and I lived and breathed music. It kept me focused; it kept me sane.
I started my career as a liberal arts major from Berkeley, wrote about enterprise IT for a few years, then followed my passion for the digital narrative into graduate school as well (also at Berkeley, the Oxford of the West or, perhaps, the Harvard - sorry Stanford!). My first project out of grad school was 'Wired' magazine.
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