A Quote by Deborah Smith

I read The Vegetarian and fell in love with it. A year later, I was invited to go and speak at the London Book Fair (which I'd never even heard of before), as they were gearing up for Korea being the market focus country in 2014. I met Max Porter there, Kang's editor at Portobello, sent him my sample, and the rest is history.
My husband is an editor, and in fact he was the first person who hired me as an assistant editor. Then we fell in love and the rest was history.
I re-read The History of White People by Nell Irvin Painter. It's a book every one should read, particularly Americans, as the USA is her primary focus. Her book demonstrates that white is not universal, that white is not neutral, that it has a history, which she eloquently delineates. It's not often you finish a book understanding how the world operates better than before you read it.
The good of a book lies in its being read. A book is made up of signs that speak of other signs, which in their turn speak of things. Without an eye to read them, a book contains signs that produce no concepts; therefore it is dumb.
I thought I would be at United for a couple of years, maybe three or four, and then go abroad somewhere. But I just fell in love with Manchester United. I fell in love with winning, fell in love with the history of the club and being part of it was something I could never have imagined.
Luckily enough, I read 'NOS4A2' about a year before I ever heard of the TV show, so I had read the book and absolutely loved the book.
I got a call from my manager who told me Diplo was working on a country project. I put my vocal on the songwriting demo and my team sent the song to his team. Evidently they fell in love with it... and the rest is history.
I love portobello mushrooms. I often say that if I were vegetarian, I would live off of these. Now, it would never happen, but it's still nice to know that they exist. So meaty, so flavorful.
I also know that it's not about me, it's about all of you and it's about our country, I know that, I fully understand that. That's why I got involved. It's about all of us together as a country. It's a movement the likes of which we have never in history in this country seen before, never in history. Even the pundits, even the media - that truly dislikes Donald Trump for their own reasons - will admit this is a movement the likes of which people have never seen before.
When we were at the CMT Awards this year, Robert Plant was there. What an icon, I love him... But I can't go up and speak to him, because I don't want to seem like a goob.
I was born in England and brought up in London. When I was 18 I read a book and came across the Dharma. I was halfway through the book when I turned to my mother and said, "I'm a Buddhist," to which she replied, "Oh are you dear? Well finish the book and then you can tell me about it." I realised I'd always been Buddhist but I just hadn't known it existed, because in those days not even the word 'Buddha' was ever spoken. This was in in the 1960s, so there wasn't that much available, even in London.
Literally thousands of e-mails over the course of a book go out to people I've never met, people who might end up being the focus of a chapter.
I heard I am one of the most representative bachelor actors of Korea with Kang Dong Won, So Ji Sub, and Hyun Bin.
Animals were my passion from even before I could speak apparently. When I was about 10, 11 I fell in love with Tarzan.
I fell in love with the idea of writing songs when I was a child. I thought I was going to be a journalist at first, but I gradually fell in love with all these great writers like Irving Berlin and Cole Porter, who were at the peak of their powers then.
'Tum Jo Mile' came as a surprise. Vivek and Kumaar sir, who has written the song, sent me the track just to listen. I was in London at the time for my world tour. I heard the song, and I fell in love with it instantly.
I worked with John Maybury on The Jacket and I think he's an extraordinary film-maker. I read the first drafts of this piece when I was working on The Jacket, and we'd so fallen in love with him that we thought he was the only person that should direct this! We wrote poems for him, we sent him champagne and cakes. Four years later he finally read it.
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