A Quote by Deborah Tannen
We tend to look through language and not realize how much power language has
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We tend to look through language and not realize how much power language has.
Language is power, in ways more literal than most people think. When we speak, we exercise the power of language to transform reality. Why don't more of us realize the connection between language and power?
Language designers want to design the perfect language. They want to be able to say, 'My language is perfect. It can do everything.' But it's just plain impossible to design a perfect language, because there are two ways to look at a language. One way is by looking at what can be done with that language. The other is by looking at how we feel using that language-how we feel while programming.
I think with all my books, language has been their subject as much as anything else. Language can elide or displace or sideline whole groups of people. You can't necessarily change the way language is used, but if it becomes something you're conscious of... that gives you a certain power over it.
We believe we can also show that words do not have exactly the same psychic "weight" depending on whether they belong to the language of reverie or to the language of daylight life-to rested language or language under surveillance-to the language of natural poetry or to the language hammered out by authoritarian prosodies.
I love communicating with people, and sometimes language is not enough. I think that's what poetry is, where you can mess with language and get through to things that can't be described or communicated through regular language or scientific processes.
Also, they don't understand - writing is language. The use of language. The language to create image, the language to create drama. It requires a skill of learning how to use language.
We don't realize how much we create reality through language. If we say that life is hard, it will be hard.
The earliest language was body language and, since this language is the language of questions, if we limit the questions, and if we only pay attention to or place values on spoken or written language, then we are ruling out a large area of human language.
I've done two remakes, 'Rowdy Rathore' and 'Son of Sardaar,' and I see nothing wrong with it. The originals were in a language that not everyone understands, so when you're making it in another language, you can reach a much wider audience. That's how I look at it.
The advantage of the gypsy language, even though I don't understand it that much, the language is perfect melody. So if you propose the movie the way I do, then the language is just one part of the melody. Orchestrating all inside, and the language is following the meaning of what they say, and it's never the same as written.
I find movies rely upon dialogue too much sometimes, and you lose the power of what really the most basic cinematic language is, which is the visual language.
It's like learning a language; you can't speak a language fluently until you find out who you are in that language, and that has as much to do with your body as it does with vocabulary and grammar.
Expressing love in the right language. We tend to speak our own love language, to express love to others in a language that would make us feel loved. But if it is not his/her primary love language, it will not mean to them what it would mean to us.
One must avoid ambition in order to write. Otherwise something else is the goal: some kind of power beyond the power of language. And the power of language, it seems to me, is the only kind of power a writer is entitled to.
I am adding another language to the spoken language, and I am trying to restore to the language of speech its old magic, its essential spellbinding power, for its mysterious possibilities have been forgotten.
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