A Quote by Deborah Turbeville
In my pictures, you never know, that’s the mystery. It’s just a suggestion and you leave it to the audience to put what they want on it. It’s fashion in disguise.
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I worked in fashion for ten years, and like anyone in the fashion industry, even if you leave, you never leave fashion behind.
Poetry never loses its appeal. Sometimes its audience wanes and sometimes it swells like a wave. But the essential mystery of being human is always going to engage and compel us. We're involved in a mystery. Poetry uses words to put us in touch with that mystery. We're always going to need it.
Human beings are like detectives. They love a mystery. They love going where the mystery pulls them. What we don't like is a mystery that's solved completely. It's a letdown. It always seems less than what we imagined when the mystery was present. The last scene in `Blow Up' is so perfect because you leave the theater still dreaming. Or the end of `Chinatown,' where the guy says `Forget it, Jake, it's Chinatown.' It explains so much but it only gives you a dream of a bigger mystery. Like life. For me, I want to solve certain things but leave some room to dream.
I want to satisfy the listener, exactly. I want to entertain the audience. I want the people to leave the show with the feeling I used to leave shows with when I was young, and I couldn't get over it for another three or four days after it. I just kept reliving the set in my mind.
...when you put on your shortest dress, please leave some mystery in it. That's the difference between a miniskirt and a ho-skirt. A ho-skirt shows your Frisbee. A miniskirt shows just enough to cause some mystery. What these young women lack is mystery.
If you respect the audience and on stage you put on a disguise, that is part of the show.
The one thing I never get involved with is selecting art or pictures for a client. This is a very personal thing. If the clients have pictures, I will hang them. When they do not own pictures I leave the walls blank.
You know, I put my little brother in the movies and he's still in the pictures. My mother makes me put him in the pictures.
I never leave anything until the morning. I put my jumpers, scarves, and shoes out the night before. You never know what is going to happen. You don't want to get stressed.
If you look at the RNC, we had a very strong - at my suggestion and I give Reince Priebus credit for this - at my suggestion, because I know something about this world, I said I want a very strong defensive mechanism, I don't want to be hacked, and we did that.
All I know for sure is that dreams are the pictures of states wanting to turn into processes. Dreams are maps of the beginning of an otherwise unchartered trip into the unknown. They are pictures of the unknown which appear in many channels. Because process work is body-oriented, I put a stress upon feelings, but dreams are not pictures of just feelings; they are pictures of the way the unknown is showing itself in a given moment.
Pictures put you in front of a reality that most of the times you don't want to see, don't want to know about, don't want to get involved.
My Pirelli calendar is hanging on the wall of my friend's frat house, and he doesn't know anything about fashion. That balance is what leads to big campaigns outside of fashion. But I never want to choose one or the other. Both commercial and high fashion are what make my job so interesting.
Sometimes you don't know what you've got until you put it in front of an audience - and the enthusiasm for the show from the audience has been just incredible.
My goal's always to connect and relate to my audience. I want them to leave my show feeling like they got to know me better - not only that, but like we could be friends. I want people to leave going, 'Oh my gosh, I could totally hang out with her!'
You never know how things work and what exactly is going to grab an audience. Sometimes even the best material and the best collection of people interpreting that material just for some reason doesn't fly with people. There are a lot of TV shows or movies that maybe aren't as good as others that do work when it comes to finding an audience. It's a mystery, that whole thing. If somebody figured it out, this would be quite a great industry.
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