A Quote by Deborah Wiles

Baseball is an art! A drama! A ballet without music! Let us give it a Greek chorus! — © Deborah Wiles
Baseball is an art! A drama! A ballet without music! Let us give it a Greek chorus!
Baseball is a ballet without music. Drama without words.
Baseball is beautiful....the supreme performing art. It combines in perfect harmony the magnificent features of ballet, drama, art, and ingenuity.
Plays are just all sort of playful asides, and there's a great deal of reference here to Greek mythology, plays, and dramas. The idea of the chorus is really important in Greek drama and I loved the idea of including that.
I'm intrigued by the classic Greek tragedies, as well as by the idea of the Greek chorus.
Movies are immortal art - the first new art since Greek drama.
One of my main problems with music is that the basic formula is always the same: verse, chorus, verse, chorus, bridge, verse, chorus, chorus, chorus, end. One of the bands that changed that was The Beatles. If you listen to 'Everybody's Got Something to Hide Except Me and My Monkey.' It's three verses, bridge, end.
Prehistoric art came to move me much more than Greek art. Greek art has beautiful women and handsome men, but I don't care.
Obviously, something like ballet, you have music, you dance with the music and it's a very direct connection. With visual art, when there's no music that accompanies the art, such as great masterworks in a museum, you wind up interpreting what the artist is doing, how the artist made that work and what they're conveying.
I'm enamored with the art world. Anytime you look at anything that's considered artistic, there's a commercial world around it: the ballet, opera, any kind of music. It can't exist without it.
Even hidden in the most squalid Parisian halls, wrestling partakes of the nature of the great solar spectacles, Greek drama and bullfights: in both, a light without shadow generates an emotion without reserve.
There is a real formula to writing music, verse, chorus, verse, chorus, bridge. It's very formulaic. The subject matter that you can address in pop music is somewhat restricted. It just doesn't allow that same emotive quality that you can put into poetry.
We know great art by its effect on us. If we are prepared to look without preconceptions, without defenses, without haste, then art will change us.
Baseball ultimately is a drama without a script. It's the original reality TV.
Baseball is caring. Player and fan alike must care, or there is no game. If there's no game, there's no pennant race and no World Series. And for all any of us know there might soon be no nation at all. It is good to care - in any dimension. More Americans put their caring into baseball than into anything else I can think of - and most put at least a little of it there. Baseball can be trusted, as great art can, and bad art can't.
I lived in the Caribbean when I was a teenager, so I learned about Salsa and Cha-Cha and all these Latin Afro-Cuban music like Gillespie and Duke Ellington, also bridged with Jazz. But my mother is Greek, and so I've also listened a lot to Greek music. And through the years to Balcanic music to Arabic music because my father loved music from Egypt.
If there is no point in the universe that we discover by the methods of science, there is a point that we can give the universe by the way we live, by loving each other, by discovering things about nature, by creating works of art. And that — in a way, although we are not the stars in a cosmic drama, if the only drama we're starring in is one that we are making up as we go along, it is not entirely ignoble that faced with this unloving, impersonal universe we make a little island of warmth and love and science and art for ourselves. That's not an entirely despicable role for us to play.
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