A Quote by Debra Dean

Along the way, I've worked as a waitress, I've done phone surveys, and worked as a receptionist, and for the last twenty years I've taught. When I was an actor, the key was to find a job that kept your days free to audition.
I worked as a receptionist in England for a couple of years whilst I was building up my business. I decided to take a massive pay cut from my full-time job and work as a receptionist so I could make my own business work.
I've worked since it was basically legal to work. I was a waitress on and off for eight years. I worked at Sears; I worked at Abercrombie folding clothes. My dad really instilled good money management habits, and I've saved 10 percent of my paycheck, every paycheck, since I was 15.
I got into acting because nothing else worked. I have done literally everything. I have sold magazines door-to-door. I've worked on an assembly line in a factory, a restaurant, the desk at a hotel. I've worked in statistical typing, taught school. You name it, I tried it, and nothing worked.
I worked like a crazyman. I worked day and night, often days and nights at a time - without sleep. Gallons of coffee kept me awake; the paintings kept me fired up.
I worked in an office. I was like an assistant. So, I would just answer phone calls, coordinate events. It was a great day job. I worked with amazing people, but obviously, whenever you are doing something that's not your dream, you kind of feel like, 'Oh, I'm on this grind.'
What has happened is that we have seen a shift in the past twenty years in the very concept of hacking. So hacking twenty years ago was a neutral, positive concept. Somebody who was a hacker was someone with advanced computer skills, which could expose vulnerabilities and could explain why systems worked well or worked badly and they were generally regarded as an asset. Over the past twenty years, a combination of media and law enforcement has changed the perception of the concept so that it has almost always, if not invariably, a pejorative sense attached.
I worked for twenty-some years with no capital, so I never had any liquidity. Managing my loans alone wouldn't do it, and working hard twenty-four hours a day seven days a week alone wouldn't do it. You have to be properly capitalized.
I've worked with non-professional actors, I've worked with movie stars, I've worked with kids, I've worked with older people, and I've found my job as a director is to cast them well and to understand what they need on set to bring the material to life.
I worked as an interior designer. I worked as a furniture salesman. I worked as a financial adviser. I worked as a painter and decorator - that wasn't for very long. I was a baker for about four-and-a-half years.
My mother worked on a whole bunch of those; she worked on What's My Line?, I've Got A Secret, Play Your Hunch... In my memory, she worked on To Tell The Truth. So it was her job to brief the imposters.
My dad was also a teacher until he was 34. I think there is a basis in reality. But I'd only done two jobs before I was an actor. I worked in a petrol station and I worked in a supermarket.
My mother worked in factories, worked as a domestic, worked in a restaurant, always had a second job.
My dad always taught me to never be satisfied: to want more and know that what is done is done. That was his way of seeing the game. You've done it, now move on. People might say, 'Well, when can you enjoy it?' But it worked for me because, in the game, you need to be on your toes.
Your grandfather is and will always be your hero, your inspiration. He fought in World War II, came home to Little Rock, Arkansas, and worked for 50 years as a mailman in the segregated south. Not once did he get a job promotion in five decades. But he kept working all the same.
That was a bizarre and unlikely event, which has misled a generation of drama students from my old drama school that dreams really do come true. I was an unemployed actor. I had been an actor for about eight years, and had worked in theater, and done a tiny bit of TV, and somehow an audition video of mine ended up on Kevin Costner's television screen, and he rang me up and invited me to fly first-class to Hollywood and be in his movie The Postman.
I am lucky I got roles where I worked for just seven days and made equal impact with the hero who worked for 70 days.
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