A Quote by Debra Messing

You can't control chemistry. You can't control, you know, just similar aesthetics creatively. And, you know, David and I didn't know each other prior to this. And we get along famously. So it's - I feel very lucky.
I think I just have to control what I can control. I can control myself. I can't control anything else but what I do. I definitely know I can do a better job at that.
I really like writing poetry and lyrics because it's one thing where I give up control. I don't feel like I need to be in control of it. I just sort of let it happen, and then I know when it's done. I know when it's finished.
I feel comfortable in the air, me as a person. I feel very in control of my body. You can toss me from the weirdest angle. I just know where I'm at. I don't even know how to explain it.
What does it mean to feel "in control" of your life? What I mean by control is the ability to make a choice. Personal sovereignty means that you choose from what is available in order to be intentional about your life...When you feel in control of your life, you know yourself to be the author of your own actions and know that you always have choices.
The thing about love is that we can't control whether we get it, but we can control whether we give it. And each feels as good as the other. Your heart doesn't know if it's loving a man, a book, or a puppy. If your heart were that smart, it would be your brain.
I think the hardest thing that, historically, the industry may have relied upon is that we can't control weather, we can't control air traffic control, and use that at the end of the day as an excuse. Things do happen - we know they happen. We don't exactly know when they are going to happen, but we should definitely be prepped.
We'll just have to get along. That's what people do, you know? They just get along. And try to help each other.
I love my wife and I know she loves me. We're best friends. We're just lucky to have found each other. It takes a lot of work but I just feel very blessed that I found the right person. It's a very fortunate situation and not everyone has that.
I have used, you know, marijuana ... since I've been in the league....But as far as abusing it and, you know, letting it take control over me, I don't do that, no....hopefully ... I won't get into any trouble by the NFL by saying that, you know. I have had fun throughout my years and, you know, predominantly in the offseason.
My nature is happy. And all I can control is my response to input. If you come around me and tell me bad news all the time, I can say, "You know what? I don't want to hear it." If its just gossip, you know, I can choose not to hear it. And that, in effect, can control my mood.
Success has a lot of things that go along with it and I haven't experienced any personal resentment. I can't control any of that and I try not to worry about it. I hope that's not the case, you know. Most of the writers that I know and artists that I know understand what was going on. I think there's just as many things going on in the awards process that have to do with the show having won a few times.
even those who call themselves 'intimate' know very little about each other - hardly ever know just how a sorrow is felt, and hurt each other by their very attempts at sympathy or consolation. We can bear no hand on our bruises.
I know that some things are beyond our control, some illnesses are beyond our control, we get sick, we don't know why. But let's pledge to do whatever we can to avoid those high medical bills.
As an actor, you are sort of only in charge of yourself. All you can really control is your performance. You don't know what they're going to do with it in the editing room, what they're going to cut out, which take they're going to use. You know, your control is very limited. As a director, it's ultimately your piece. You have a lot more responsibility, but you also have a lot more creative control. It's scary, but also liberating in a way.
It's always a problem when you're working with people you don't really know. Most filmmaking is about shaking hands and just starting. You know, these month - or two-month-long endeavors that millions of dollars are based on, and the people doing them don't even know each other, or know each other under pressure, or know each other when things are really... Which filmmaking is completely done under in many circumstances. You're under constant crisis, making a movie.
I know what we can control, we can control our effort and we can control our approach. We do what we're supposed to do to get some second-chance points off the offensive glass, maybe our pressure can get us some easy opportunities in the open floor and we've got to capitalize.
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