A Quote by Debra Messing

I love every aspect of the show. I've been very involved. It was important for me to be very involved in, you know, all of the creative elements. And so, you know, it - David, you know, being brought onto the show, you know, that - I always just wanted to make sure that we maintained the sophistication and intelligence of (the) - and the comedy that we were able to establish in the mini-series.
It's a combination, I think they want to know - it's for every show, which is I think networks want to know that you have a vision for where the show could go to make sure that it really is a show, that it's not just a one-off forty minute pilot, that it's an actual series.
To go from working with a group of people in a sketch-comedy show on a small network, where it was all about just creating funny stuff, to being on a network show, and the pressures of that, and getting to know the new people who were involved in it. There was a learning curve for me. But it was an education.
I have never had a shortage of ideas for shows. I always just do them and the gallerists don't - they stopped long ago trying to tell me what I should show in their gallery. They just don't even do it. I show whatever I want to show. They are very happy and as far as I know, they have always been very pleased with whatever I have shown, even if it is nothing to sell.
I was involved with MySpace and Facebook and everything at a very young age because it's so casual now, and I'm into texting, obviously. But I've never been involved in any type of chat room. My parents are pretty cautious about it and know all my passwords and know who my friends are and who I'm talking to.
I just have always felt that I think we know that it's an ensemble show, and it's very hard to pick a show to submit when you're nominated, because usually everyone has a very strong part in every episode.
Some guys are just very, very interested in their sport and their predecessors. I know I was a guy like that when I was a young coach. I wanted to know about George Halas, I wanted to know about Jim Lee Howell, guys you don't even know. I wanted to know what they were like. So I read whatever I could get my hands on.
I can never watch anything I've been involved in, because I know it, and I know what the making of it was like, and I know what's been cut out and changed. I just know it.
I think music for me, it's part of my life. I like music. I think I'm very emotional, so, you know, I just try to take all the emotion, you know, that music bring it to me, you know, some make - I mean, help me to calm down some, for sure motivate me more. You know, there's always music. I think just make me smooth before the match, you know.
You know, back when I was a kid who wanted to be in show business, everybody on TV wore nice clothes. They were very glamorous when they would be on the 'Tonight Show.' All the dudes wore suits and ties and that just seemed like real show business to me.
As much as people were asking me and everybody else on the show constantly if Jon Snow is alive or dead, I think, really, in their heart of hearts, they didn't actually want to know. For us, it felt very important to maintain that secrecy for the fans, and we worked very hard to make sure that worked out.
I don't know how far, I don't know where I'm going to be or where I'm going to go, but I know this - if a team comes to grab me, I know they're going to get a special player, and I'm ready to show them what I can do and make sure I can contribute.
The idea of the show is that it's active and that children will become involved and watch the show, but also participate in the show. And I didn't know if that would work.
You know, it's not my film [Valerian], it's really their film. It's very strange. And maybe because it's more when you comes to the Marvel films it's way much more organized and plan, you know, they planned. Okay, we have Thor here, we have this and then we do The Avengers, and then we group. You know, it's much more organized. So maybe there is a little less freedom at the end for the creative people. Where I did the entire opposite. I let them help me, you know. So that's also why maybe they were so involved.
Well I would say that, you know, I agree in part with that it [The Starter Wife] is fantasy and it is a romp in that, you know, the comedy stems from shining a light on the sort of more extreme aspects of the Hollywood culture. So, you know, anytime you turn up the gas, so to speak, on the stove and make things more extreme it becomes funny. But I do think that, you know, the other half of the show is absolutely relatable and that's been an important goal of ours.
I really loved working on comedy. Most of my roles have been very dramatic and involved lots of emotional work and crying on cue. I do really enjoy those roles because you really feel accomplished at the end of the day but they are very emotionally draining! Working on a comedy show is just fun and at the end everyone is laughing! But I am open to all roles and genres just being on a set and being a part of the magic is what I love most!
The reporting is fake. Look, look...You know what it is? Here's the thing. The public isn't - you know, they read newspapers, they see television, they watch. They don't know if it's true or false because they're not involved.But I'm involved. So I know when you're telling the truth or when you're not. I just see many, many untruthful things.
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