A Quote by Debra Stephenson

When I was a child, I did singing and dancing and drama and impressions. — © Debra Stephenson
When I was a child, I did singing and dancing and drama and impressions.
I did not want to prance around trees singing and dancing. I had to make a living and for that I started with documentaries for government agencies on subjects such as adult education, child welfare, and so on.
I love singing! I was a musical theater girl in high school. We were always singing and dancing around, and just doing little community theaters and high school musicals. Then, when I got to NYU, I focused more on drama.
I wanted to go to drama school, but when I got the part in 'Falling,' I got an agent, so it seemed a good idea to work. I always did a lot of singing and dancing, so I am glad it worked out that way. I would like to study stage acting at some point, though.
I did dancing and singing when I was little, and then when I was 12 years old my friends were taking speech and drama at school. They were private lessons, and I started doing that. Over the years everyone else dropped out and I just kept going. I loved it.
Mum got me involved in every activity under the sun - singing, dancing and drama classes at the Anna Scher theatre school.
Singing was something I always did. I really don't remember a time when I wasn't singing, even as a little child.
I was at college studying psychology, philosophy, textiles and drama. But because I wasn't one of those all-singing, all-dancing stage-school kids, I just assumed I'd never become an actor.
When I came into the industry I started with acting and I did drama during junior high and high school. I fell into dancing as a hobby, but whenever you need work, you try out different things. So I booked a lot of jobs for dancing and it kept rolling and rolling.
I was a youngster looking up to dudes like Vicky McClure, Joe Dempsie and Michael Socha - in fact, he was a big influence on how I was able to detach drama from the all-singing, all-dancing stigma.
In an attempt to amuse my friends and family, I would do impressions of Dean Martin, singing Everybody Loves Somebody. I secretly really enjoyed singing the song.
In many shamanic societies, if you came to a medicine person complaining of being disheartened, dispirited, or depressed, they would ask one of four questions: 'When did you stop dancing? When did you stop singing? When did you stop being enchanted by stories? When did you stop being comforted by the sweet territory of silence?'
A Las Vegas show is all-round entertainment. Which means there's some singing, some dancing, some magic, some drama - everything is rolled into that one performance.
I was okay with singing. I always sneak a song into everything I do. Dancing, a little awkward. Little embarrassed about that. I don't move well. But I was with a frog, so it doesn't matter. I'll do anything with a frog, that's my motto. He's great with tap-dancing or flap-dancing on my head. So no one's going to be looking at me when we're doing that dance. They're going to be saying, 'There's a frog dancing'.
My mum enrolled me in this free dance class because I had so much energy in the night-time, and she just wanted me to go to sleep. I ended up falling in love with dancing, singing, acting, the whole entertainment world. Then, my mum ended up taking on an extra job so she could fund me to take singing lessons or go to drama classes.
One is the path of devotion, what in India is called BHAKTI yoga, the path of love and devotion - a Meera, a Chaitanya, dancing and singing, losing themselves completely in the act. When Meera is dancing there is only dance, there is no Meera; the dancer is completely merged into the dance. When Chaitanya is singing and dancing there is no Chaitanya; he has become one with the act.
My parents couldn't afford a full time drama school, but I basically just did every class I could do, and followed every drama interest I could. When I was 15 or 16 I did drama courses.
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