A Quote by Debra Winger

It's inconceivable to some people that that wouldn't be the sexiest thing to do in the whole world: to be a movie star, and make money, and be pampered, and whatever. — © Debra Winger
It's inconceivable to some people that that wouldn't be the sexiest thing to do in the whole world: to be a movie star, and make money, and be pampered, and whatever.
People call me a movie star. If you're in the business, a movie star is someone who can make a film bankable. My name and $6 million will make a $6 million movie. I'm a working actor. Because I started late, I had a very short run as a leading man, and my films didn't make money in America.
I'm not a movie star like other actors in the way that I need to walk around with a bodyguard. My goal is just to get some interesting parts and make enough money to live free. Otherwise, to be a movie star, it's a lot of compromise and also a lot of headaches. You can't do what you want. You become a prisoner of your fame. This happened to me in France and I don't want it. I want to go to the terrace of a café, have a coffee. I have no problems with the fact that people recognize me, I'm very glad about it, but to be a movie star is kind of unreal for me.
I'm not really a movie star. No matter what I do in acting, whether I'm good, how much work I get, whatever, I never will be a movie star. Because I never think of myself as one. You are a movie star because you think of yourself as a movie star and always have.
If money doesn't come with misery, then it's not at all interesting and it's not at all fair. It seems if you have all this money, and no misery, you're really in a world of unalloyed happiness, and that seems to violate some deep principle of universal justice. We tend to live in a culture now where people have unbelievable, inconceivable amounts of money without any kind of remorse.
People keep trying to make me a movie star but they just don't understand. I'm not a movie star, I'm an actor.
When people are bothering you constantly when you're trying to do just a simple thing that humans do every day but they won't let you do it without bugging you about it, that was a hard thing. Because I became a movie star overnight. From a working actor and working writer to a movie star.
I always wanted to be in show business or whatever you want to call this crazy world, to be an actor or a movie star or whatever.
You still get the movies made. A filmmaker can always scrape up money to do a movie. The passion drives it. And you'll get the money. Money's the easiest thing. But the hardest thing is finding a way for people to see your movie.
In making a movie, you're part of a big machine. Even in a small movie there are still so many people involved in the process, and it costs so much money to make. There is so much more invested in it for a lot of different people, so much money is sunk into it that they usually want some guarantee or promise that it's going to be able to do something on a financial level. There's just a lot more messing with you in film. I love movies and I love to watch movies and being a part of the whole film experience.
If I was a person that felt success is money, and for some people it is, I won't yuck someone's yum - if that's your thing, that's your thing. Go for it. Make as much money as you can. I don't care. Not my thing. My thing is something else. So I don't miss that. At all. Who needs it? How much money do you really need?
In the early days of film, fans used to idolize a whole star - they would take one star and love everything about that star ... Today people can idolize a star in one area and forget about him in another. A big rock star might sell millions and millions of records, but then if he makes a bad movie ... forget it.
It would be great to make a movie that had the style of a great '30s film or a movie of David's Lynch or some other director I love that could also make money, because that would say to the corporation, "Yes, you can make money and still do art." But it's tricky.
I don`t want people walking out of a movie thinking I was trying to act or be some movie star. I want them to think, `That might make me like Jessica a little bit more.`
Movie is a near art form. It's showbiz and people want to make money. And generally people are financing things because they think it will make money whether it's a cable news show, a cable show, or a feature film, or whatever it is. So that's the part of it that drives it, I think, is really the dollar.
There has long been a bemoaning of the lack of opportunity to make films that are anything but explosions or the ladling on the pea soup or whatever you want to call it. You can hardly make a movie today where somebody isn't a murderer or a rapist or, if it's a "Fried Green Tomatoes" that isn't some wistful thing on this, that or the other thing.
To me the only real star of the movie is the writer. And I work with writers very closely, from outline to first draft and on to the seventh draft, whatever it takes. Then my job is to support the director to make the best movie we can. Some producers try to go past them, but my job is to support them.
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