A Quote by Declan Donnelly
We were lucky that when we were making the transition from children's to prime time a lot of other presenters our age shied away from that arena.
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With Soapkills, we were lucky. We started at a time of transition where things were not ready, nothing was available.
Seventeen's not so young. A hundred years ago people got married when they were practically our age." "Yeah, that was before electricity and the Internet. A hundred years ago eighteen-year-old guys were out there fighting wars with bayonets and holding a man's life in their hands! They lived a lot of life by the time they were our age. What do kids our age know about love and life?
Our experience making 'Pieces,' all it did was confirm our passion for film making to ourselves. We were having the time of our lives, and we were in love with what we were doing.
Freedom is always just one generation away from extinction. We don't pass it to our children in the bloodstream. We have to fight for it and protect it and then hand it to them, so that they shall do the same, or we're going to find ourselves spending our sunset years telling our children and our children's children, about a time in America, back in the day, when men and women were free.
We were making new ones the second year. We were in syndication the second year. So we were on Saturday nights, prime time, every morning, and then they put it on Sunday evenings too. So it was all over the place.
Sometimes you have to wonder if there isn't an ejector seat built into having a popular-music career. We were lucky when we started. We were already old when we started - you could have described our first album as "aging Brooklyn guys." We were in our late 20s. We weren't octogenarians, but a lot of bands were already younger than us. Fortunately, we've held on to our manly good looks.
As I get older, I 've shied away from a lot of convention. I've just been making my records.
Late one afternoon when returning from town we were met by a few women and children who told us that Mexican troops from some other town had attacked our camp, killed all the warriors of the guard, captured all our ponies, secured our arms, destroyed our supplies, and killed many of our women and children.. when all were counted, I found that my aged mother, my young wife, and my three small children were among the slain.
Lot of people liked me in 'Manorama Six feet Under,' 'Oye Lucky Lucky Oye,' 'Dev D' and 'Shanghai' and the only common thing in all these films is that when we were making them we never thought they would work. The ones that did not work were safe films.
There were a lot experiences I had during my transition and post transition, and I feel that I learned a lot, and I wanted to share that through my work as an artist.
A lot of the girls I grew up with were pregnant by the time they were 16. I just was lucky.
When we are old and these rejoicing veins
Are frosty channels to a muted stream,
And out of all our burning there remains
No feeblest spark to fire us, even in dream,
This be our solace: that it was not said
When we were young and warm and in our prime,
Upon our couch we lay as lie the dead,
Sleeping away the unreturning time.
It's the Tiger Woods effect. What he was able to accomplish at such a young age - he drew me to the game, and I can only speak for myself, but a lot of the players that are my age saw Tiger in his prime when we were all teenagers. We all wanted to be like him.
What people that are professionals in the art world - both in literature and the other arts - always try to do is to recognize the feasibility of making the transition from the particular to the general - to make the transition from the portrait of one postman - to take Van Gogh, for example, to something that is every postman. That synecdotal transition that most selfies don't make. But we who live in this world, and not simply in our private realities, understand that that's the transition our art has to make.
A lot of my family members were performers, and my cousins are comedians and actresses. From a very young age, movies were really important. They were given a lot of value.
For a long time, I was an assistant in the NFL to George Allen, and George was paranoid that other teams were cheating on him... that they were offering bounties, that they were wiring our locker room, that they were putting food poisoning into the pregame meal of the other team's stars, stuff like that.
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