A Quote by Declan Donnelly
We've talked about a sitcom and a comedy drama. It's getting the right project and working with the right people.
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I wouldn't say I'm personally trying to transition from comedy into drama. I don't look at things like, 'Oh, I need to do a drama now.' I get a lot of material sent to me, and if I feel like something has the creative integrity and the right director and the right whoever involved, the right actors and is a great story, then I do it.
I found this website, The Experience Project, which has people write first-hand experiences of their life and what they went through. There would be a 75-year-old man who talked about his childhood or a 15-year-old girl who talked about what she is going through right now. It was amazing to read their personal thoughts.
I like comedy, but I like comedy as a device in drama. It's more interesting for me to use comedy to seduce people into thinking about something serious. If you want to hit a beat in a drama, you can distract people with a little comedy, and you can punch them in the gut with some emotion.
You realize true magic of cinema when you put the right people together, at the right time, with the right kind of project, where they're not worried about their salary, they're not worried about their caravan.
After the play of 'Fleabag,' we had conversations with different channels and with film companies about whether 'Fleabag' should be a half-hour sitcom, an hourlong, serialized drama, or a film. And I knew that it couldn't be a drama because I wanted to hide the drama - that had to be the surprise. I knew it had to be comedy.
I talked about 12 to 18 months, and that's about reaffirming our foundation for sustained growth: getting the discipline back, getting the basics right, getting the customer focus back... so by the end of next year, I hope most of that's in place.
With comedy, you have to do it right. In a drama, there's a lot of different ways to succeed in a moment. But comedy comes from reality. You can't try to be funny.
I really like people who can do both drama and comedy and not some like middle of the road do both drama and comedy. I'm not talking about some guy who does these bland dramedies all the time. I'm talking about people that have done heavy drama and who have done heavy comedy.
When I was younger, I was nervous and didn't have a huge amount of confidence as an actor. Comedy is something - you know when you're getting it right because you can hear. And you can hear if you're not getting it right! I like to create interesting, weird characters, and they're often best in comedies.
Everything you care about is getting the next step right: getting the script right, finding the right actors, shooting it. Then you spend half a year in a dark room editing your film, and you don't talk to anybody.
Comedy and drama are different sides of the same coin. And the thing about comedy and drama is about likability. It's about character first. It's about story. And for me, it's about empathy, and I think the realer someone is, the further you can go either way with them.
People seem to want to give 'Flowers' a comedy or a comedy-drama label. I suppose it's closer to comedy-drama, but it feels like it requires a whole new definition all of its own.
You never have any idea where your movie's going to go when you're shooting - you're in this little bubble. Everything you care about is getting the next step right: getting the script right, finding the right actors, shooting it.
You have to get the casting right. You have to get the people behind it. Your director might not be the right director for the project. And then, it has to test and those people in that room, wherever they are, have to turn those buttons the right way at the right time.
For whatever reason, luck and word of mouth - my comedy career couldn't have started better. I went to Edinburgh, selling out this 300-seater just because I got the right place, right time, right venue, right buzz, right reviews early on.
This leads to a question - if a great many people are for a certain project, is it necessarily right? If the vast majority is for it, is it even more certainly right? This, to be sure, is one of the tricky points of democracy. The minority often turns out to be right, and though one believes in the efficacy of the democratic process, one has also to recognize that the demand of the many for a particular project at a particular time may mean only disaster.
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