A Quote by Declan Donnelly

When we were first doing kids' shows with the BBC they asked us where we wanted to be in a few years' time and we said we want to be where Noel Edmonds is. — © Declan Donnelly
When we were first doing kids' shows with the BBC they asked us where we wanted to be in a few years' time and we said we want to be where Noel Edmonds is.
All disc jockeys are without talent. Noel Edmonds - I can't stand Noel Edmonds.
A few years after I graduated, I was doing a play in Boston and was asked to audition for Christophe Durang's play, 'Vonya and Sonia and Masha and Spike,' and I got the part. We were performing in Lincoln Center when, during our weekly meeting with producers, they that said they loved our show and wanted to take us to Broadway.
The first time someone asked us for an autograph was the moment we realized we were doing something that most people spend their teenage years dreaming about, for sure.
I remember the days of karting and kids were wearing Michael Schumacher helmets. When you asked kids what they wanted to do when they were older, they said they wanted to be the next Michael Schumacher.
Between work and the kids, I never see anyone anymore. I mean, when I first met with ABC last spring, and they asked me what I'd been doing lately, I said: 'Gee, I have two kids. I'm usually covered with food, wrinkled and feel guilty all the time.
The only time I've really been away from my kids to do work was doing Shall We Dance because they both were in camp and it was the first time in twenty years that I haven't been with my kids.
Saturday Night Takeaway' is the show we always wanted to make. It's a direct descendant of 'Game For A Laugh' and 'Noel's House Party' and 'Russ Abbot's Madhouse,' and they're all shows we grew up on as kids.
When we used to watch some BBC kids' shows it felt like some of the presenters were parental figures, we wanted to be their cheeky uncles really, their fun uncles, and speak to them on their level.
One time, I went to school, and they asked us all to find out where our roots were. It's goin' around the class, and the kids were going, 'I'm Swedish-German' or 'I'm English-Irish.' They got to me and I said, 'Pure Kentuckian.'
I'd quite like to put Noel Edmonds who was on the television and radio in a compartment and remember all that with great fondness and gratitude but consign it to history.
I was brought up to be loyal, trustworthy, hardworking and to deliver. If you hired Noel Edmonds to do something then, by God, he worked hard at it.
It was a wonderful time to be young. The 1960s didn't end until about 1976. We all believed in Make Love Not War - we were idealistic innocents, darling, despite the drugs and sex. We were sweet lovely people who wanted to throw out all the staid institutions who placed money and wars above all else. When you're young you think that's how life works. None of us were famous, we were broke. We didn't think they'd be writing books about us in 30 years. We were just kids doing the right thing.
I remember on Thanksgiving all the kids wanted the drumstick. There were four of us then. Well, today you can go into the supermarket and get 12 drumsticks. Years ago you couldn't do that. So I was sucking on the neck for two years. My mother told me it was the leg, and I believed it. I went to my father and said, Why is my leg always cockeyed? He said, The bird has arthritis.
I even asked [Saniyya Sidney] why she wanted to be an actor and she said, "I'm serious about this. These other little kids they want to play, and I don't have time for that."
When we were kids, if somebody said, 'What did you watch last night?' you would have said, 'BBC Two,' but now they'll just say, 'My mobile.'
When I was 15 or 16 and I started climbing up the ladder of success in amateur boxing, a reporter asked me, "What do you want to be?" I think he was expecting me to say, "A champion." I said, "I want to be special." I don't know why I said that, but I didn't just want to be a fighter. I wanted to have an impact with people, particularly kids.
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