A Quote by Declan Shalvey
In a way, I'm glad I'm first because I won't have to panic about following anybody other than industry legend John Romita Jr. And he drew Daredevil: The Man Without Fear, which is one of the books that had a massive effect on me as a reader and an artist. It has been intimidating, scary, exciting, and incredibly satisfying.
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To be able to write 'Superman,' to be able to work with the legendary artist who is John Romita Jr., I signed on as soon as I could.
The difference between fear and panic is knowing what to do. If you have a reliable, effective solution then fear is an asset. You know what to do and fear just makes you do it faster. On the other hand, if you don't know what to do - or don't trust what you know - then you will freeze in terror, because you have no clear goal or way to get there. Fear helps, panic hinders. Fear is your savior, panic your nemesis.
I'm a product of state schools. I had a working-class family. We had no books. I was the first to go to college. But I didn't really think about it, or about making money. I was just going to be an artist, and I've been fortunate. I've never had to work for anybody nor have I had to write for money. Maybe that's another reason that I've been able to be productive. I haven't had to use my writing to make a living.
Lacy had warned me about Drew the first day of school. Apparently the two of them had gone to some summer camp together––blah, blah, I didn't really listen to teh details––and Drew had been just as much a tyrant there. ~Sadie Kane, about Lacy and Drew of Aphrodite cabin.
I've been very lucky with the people I've met over the years. Way back in the early '70s I went to [Phil] Seuling's conventions for something like three years in a row from '70 to '72 and I remember at the '72 luncheon with the Academy of Comic Book Artists and talking with John Romita about the kind of brushes he used. Pros ask pros the same questions that fans do. "What kind of pens do you use? What kind of brushes do you use?" I was so amazed that the wonderful work John Romita was doing was accomplished with a Windsor-Newton series 7 Number 4. Not a 2 or a 3, but a 4.
The other cool thing is, even with Jessica [Johnson], or Daredevil, I had taken a break from those characters for a while in the comics, so I can enjoy the shows without the agita. I completely love the Daredevil show. I feel no physical connection to it, because it was 10 years ago since I wrote that comic, so I can just enjoy it. And when people connect it in a positive way to me, I go, "Well, that's very f - king flattering!"
The thing about Sheeran is that he is an incredibly real artist and songwriter. He is not trying to be anybody else other than himself.
I was a superhero fan in the '90s, so I'm definitely familiar with John Romita, Jr. In fact, when I was in high school, I would go to local conventions and line up and get his signature.
Doing [a relationship comedy] with Sam [L. Jackson] was exciting. I've done a lot of comedies with a lot of comedy people. My peers. I've never worked with anybody of the kind of dramatic caliber of movie actor that Sam is. It was a little bit intimidating for the first day. Or two... Or the first week. Other than that, it was a joy.
I've always been a little bit more of a novel reader than a short story reader. I think the first books that made me want to be a writer were novels.
Personally, I never understood the power of having books written about your experience - whatever that experience may be - until I wrote one and started hearing from teens. I just got an email from a reader who said that "Thirteen Reasons Why" was the first time they had felt understood. A book shouldn't be anybody's first time feeling understood and that's where censorship bothers me. These books need to be out there.
I have had a very physical acting career, but on 'Newsroom,' it's not about physicality, but it's about presence. I get to just be. Strong, sensitive, quiet strength can be much more intimidating than the screaming loud guy, and I'm so glad to get to show this side of me, which, to be honest, is a lot like who I really am.
It's always been the way in Britain. I'm not sure what it is, but it's always been a cliche over here that we start wrestling from about 10-years-old. I'm really glad that I got the opportunity because it's given me a massive head-start.
I had my first panic attack at 52 years of age. I'm glad it came when it did. If I'd had one as a young lad I don't think I'd have been able to have a career.
I suppose I felt doomed to be an artist early on because of the way I drew all over the books that I needed for school, from ancient history to math. I was more interested in drawing in the margins than actually doing the work.
Your reader is interested in a guileless, fresh, first-time-we-talked-about-it way. What a great liberation that is. And teenagers, if you respect them, will follow you a lot further than adults will, without fear of being a genre that they may not like or have been told not to like. They just want a story.
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