A Quote by Declan Shalvey
You get to play with shadow, mood, and tone. And this [Batman All-Stars] is such a moody story.
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I do believe, especially with the character of Batman, that the tone and the mood of the book is 80% of the job right there. And the more control I had over the story, the more control I had over the tone and the mood.
The end of the story of Batman is he's dead. Because, in the end, the Batman dies. What else am I going to do? Retire and play golf? It doesn't work that way. It can't. I fight until I drop. And one day, I will drop.
What came out of 'The LEGO Movie' was the idea of 'Batman's the Dark Knight', so why is he so moody? What's going on? Why is he so banged up? And wouldn't it be fun to get in there and explore that?
I get moody when I'm tired or hungry. My missus says I get moody... but not with other people. But I can get grumpy.
There could be shadow galaxies, shadow stars, and even shadow people.
Batman is dark and moody and spooky and, in some cases, methodical.
I've always wanted to be Batman, but I don't naturally tend towards Batman. I tend towards Robin, but I did get to play Superman.
I'd much rather play Batman's cousin than Batman. That's more of my speed.
A short story is confined to one mood, to which everything in the story pertains. Characters, setting, time, events, are all subject to the mood. And you can try more ephemeral, more fleeting things in a story - you can work more by suggestion - than in a novel. Less is resolved, more is suggested, perhaps.
I think I would play Batman. I love Batman.
While writing 'Bhavesh,' I pretty much chewed up every single graphic novel I could get my hands on, so all the way from the entire 'Batman' series, Frank Miller's 'Batman,' Ed Brubaker's 'Batman,' Scott Snyder's 'Batman,' all the way through 'Daredevil' to '100 Bullets,' through so many other graphic novels.
You don't get heaven or hell. Do you know the only reward you get for being Batman? You get to be Batman.
I think a lot of creators are attracted to those toys they got to play with when they were young, and everyone wants to write a Superman story or a Batman story or a Spider-Man story. I don't know, if it's been successful for me, it should be successful for anyone. "Hit the ground with your feet running" is the secret of breaking new characters when it seems like no one else is having any luck.
You can't tell a Batman story without the Joker, and you can't tell a Joker story without Batman. They're just the symbols of the best and worst of humanity.
The interaction between the two matters, but to me, each doesn't really exist independently of the other, so I'm not ever faced with a situation where the tone is wrong for the story, or the story wrong for the tone. They are two parts of one thing.
When you're directing an ongoing series, the tone has already been set. So a director will come in and fulfill that tone - reinforce the characters and their behavior. The challenge is to find unique ways that you can visually tell the story while keeping the established tone and the pace and the characters.
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