A Quote by Dee Dee Ramone

I couldn't do rap. I was trying. I don't know how. I'm not good enough to know. — © Dee Dee Ramone
I couldn't do rap. I was trying. I don't know how. I'm not good enough to know.
I'm always trying to do every part myself, you know what I mean? I'm trying to sing, rap, whatever. I'm trying to do it all.
A lot of people who curate in the business, and curate the art, don't really have good artistic sense. They may know commerce, but they aren't savvy enough to know how to balance commerce and art, you know? They don't know how to satisfy both palates.
Rap is the only super-current music. If you're into reggae or dancehall, and you don't know Bob Marley, then you don't really know what you're listening to. But if you're listening to rap, and you're 15, you're like, 'Grandmaster Flash? Who's that? Public Enemy? Yeah, my dad told me about them once.' And that's just how it is.
I'm certainly not a f**king fashion consultant. Don't call me if you want to know how to dress. I just rap. That's all I really know how to do.
Rap is good for politics because when you make a rap record, you put good music on a track and people listen to you. It's easier than trying to preach.
One of the reasons I know how to handle my business is because I know can't rely on rap.
I don't know how the rap game is, because I'm a fan of reality, and the rap game's entertainment.
I could rap really good on accident. I talk tight and it just sounded... I don't know. It's just such a big genre for me. At the end of the day, rap is the language of the world.
The problem with most failing businesses is not that their owners don?t know enough about finance, marketing, management, and operations - they don?t, but those things are easy enough to learn - but that they spend their time and energy defending what they think they know. My experience has shown me that the people who are exceptionally good in business aren?t so because of what they know but because of their insatiable need to know more.
we all begin the process before we are ready, before we are strong enough, before we know enough; we begin a dialogue with thoughts and feelings that both tickle and thunder within us. We respond before we know how to speak the language, before we know all the answers, and before we know exactly to whom we are speaking.
But you know, I have a pretty good relationship with the press and the paparazzi. It's just when they step over the line that, you know, enough's enough.
I don't know where these rap guys get off trying to act so hard.
I think the key that differentiates the good actors from the mediocre ones that are still trying to come up, is that the good ones know how to listen. It's like being in a jazz band. They know how to listen to what the other musicians are playing. And where to come in and where to sit out. That's my approach to being in an ensemble cast and working with any kind of actors in a scene.
Coming into this, making music, I knew that was something that was going to be held over my head. Okay we get it, you're openly gay, but do you know how to rap? Can you really rap and deliver? And I feel like I have that pressure put on me that other artists don't. A lot of people don't have to focus on being so lyrical and actually putting on shows. Before anyone was gonna tell me I was bad, I was gonna prove that I was good.
When I came to the industry, I didn't know how to meet people, how to tell them that I'm good enough and how to get my first break. It was trial and error for us.
Which is the other reason hip-hop is controversial: People don't bother trying to get it. The problem isn't in the rap or the rapper or the culture. The problem is that so many people don't even know how to listen to the music.
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