A Quote by Dee Wallace

E.T.' was a healing movie; it was a heart movie. It was all about getting about getting home and love. — © Dee Wallace
E.T.' was a healing movie; it was a heart movie. It was all about getting about getting home and love.
'E.T.' was a healing movie; it was a heart movie. It was all about getting about getting home and love.
Everyone in L.A. talks about getting an agent or a manager in terms of getting on a sitcom or getting on a movie or doing something else.
When I'm in the middle of making a movie, I have blinders on; it's all about just getting the movie out.
You will see a 3-D movie in a movie theater for the shared experience of it - or for a date, and so on. You don't all sit at home getting your entertainment in a vacuum.
You never do a movie and not want it to work. You accept whatever it is. You have to, but nobody in their right mind would not want the movie to be getting talked about at the end of the year.
Writing isn't about making money, getting famous, getting dates, getting laid, or making friends. In the end, it's about enriching the lives of those who will read your work, and enriching your own life, as well. It's about getting up, getting well, and getting over. Getting happy, okay? Getting happy.
There is some pleasure in doing a movie and problem solving on a specific movie and getting a movie made, but once they are done, we don't look at them again, much less relate one to another.
If you watched a movie about a guy who wanted a Volvo and worked for years to get it, you wouldn’t cry at the end when he drove off the lot, testing the windshield wipers. You wouldn’t tell your friends you saw a beautiful movie or go home and put a record on to think about the story you’d seen. The truth is, you wouldn’t remember that movie a week later, except you’d feel robbed and want your money back. Nobody cries at the end of a movie about a guy who wants a Volvo.
My home life is very much about getting up in the morning and getting to the gym or getting on my bicycle and making sure that I get to cook dinner for my boyfriend.
The audience cares what the movie looks like, not about the sleepless night you had worrying about the thing getting developed.
When you're 50 you start thinking about things you haven't thought about before. I used to think getting old was about vanity - but actually it's about losing people you love. Getting wrinkles is trivial.
I don't consider roles like in 'Die Hard' what I do. This is like a hobby. It's fun. I had a good time. And I love being in a movie that people actually go see. But it's about things getting blown up. It's not about great character development.
I do think, even though I've made these genre movies, there's what happens in the movie and then there's what the movie's about. And for me, what the movie's about is so much more interesting.
I personally love auditioning. It's not just about that part: it's about getting to meet new people and really introducing myself to them - getting my name out there more than getting just that project.
I don't believe in making movies to cater to a foreign audience. You never know what the reaction is going to be anyhow. At the time I made Maborosi, the Japanese movies getting any foreign attention were all period dramas and seemed to be about some representative element of Japanese life, and my movie was contemporary movie about one specific woman trying to understand her husband's suicide.
I love movie sets. It's another home for me. Movie theaters and movie sets - they're just the best places to be. I love them.
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