A Quote by Dee Wallace

I believe I was actually the first single mother in a major film. — © Dee Wallace
I believe I was actually the first single mother in a major film.
I went to Oberlin College, and they don't have a film major, but they do have what's called an individual major, where you can sort of pitch to a committee your own course study, and if they approve it, you have essentially just designed your own major. So Oberlin doesn't have a film major; they do have a film minor... And then my spring semester of my junior year, I went off to NYU film school as a visiting student - they have a program for kids from other schools to come in for a semester.
Major film stars tend to do a film and then have a couple of months off. I'm not a major film star; I'm a jobbing actor.
My grandmother was a single mother. My mother's a single mother, and I have four daughters. I've experienced firsthand the challenges of what it is to be a single mother. And many of those challenges are challenges that, if we all just got together and worked together and thought about it together, we could help solve.
'The Quiet Ones' was my first film, let alone my first horror film, and I had so much fun. I had such a laugh, every single day. I look like such a feral child in it.
I'm even stunned at some of the majors you can get in college these days. Like you can major in the mating habits of the Australian rabbit bat, major in leisure studies... Okay, get a journalism major. Okay, education major, journalism major. Right. Philosophy major, right. Archeology major. I don't know, whatever it is. Major in ballroom dance, of course. It doesn't replace work. How about a major in film studies? How about a major in black studies? How about a major in women studies? How about a major in home ec? Oops, sorry! No such thing.
I feel that single mommies don't get enough praise and accolades. I've had first-hand experience. My mother was a single mom. As far as I'm concerned, mommies, in general, rule the world. And single mothers just take it to a whole other level.
It's hard when your first thing is something everyone loves. Actually, that never happened to me. I was lucky that my first film, which is actually the best reviewed of all my films, didn't have that success.
We actually believe Windows 8 is the new era for the PC plus. We believe with a single push of a button you can move seamlessly in and out of both worlds. We believe you can have touch, a pen, a mouse, and a keyboard.
My favorite film is "Meshes in the Afternoon," a short avant garde film directed by Maya Deren. This was the first film that I saw that was actually directed by a woman.
We're very enthused about the idea that in the third trimester we actually give the mother a vaccine and her antibodies, the protective things that the immune system makes, actually pass through to the baby, both when the baby is born, and through the mother's milk. Because the baby's immune system is actually not very strong for that first few months, using the mother's immune system to do this - it's a very exciting idea and something that we're investing heavily in.
I grew up in a house that adored Thalaivar. There would be major discussions at home whenever a film of his was due for release, and we would manage to watch the film on the first day.
I don't know if there's ever been a female-driven film or a male-driven film. I don't believe in that. I believe a film is a film - a movie can only work if everything about the film works.
I have Kalpana Lajmi's 'Kyon.' It focuses on teenage crime. My mother will play my reel-life mother in the film. I am excited about it for the simple reason that I will do a film with my mother.
It was my last act of love (first words to her mother in the hospital after her first major suicide attempt)
I signed my first film soon after I graduated from college. So, my real struggle started after my first film didn't do too well. But I believe failure only makes you stronger.
There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work. When it is very well expressed, one experiences a particularly deep emotion while watching that film. I believe that it is this quality that draws people to come and see a film, and that it is the hope of attaining this quality that inspires the filmmaker to make his film in the first place.
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