A Quote by Deep Roy
I see them turn around to get a second look. You hear a lot of people laugh at you. So what? I used to get upset about it, but not anymore. You know, laugh all you can.
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Life is very tough, you know. You sit at a dinner party and talk to the person on your right or your left, you're going to hear something terribly sad, or horrible, or awful. And you just laugh at everything. I think it was Winston Churchill who said something like, any time you get someone to laugh, you're giving them a little vacation. It's so true. You laugh for one second, you're happy. I find in negotiations, everybody's sitting around looking so serious, I say something funny and it breaks the ice. And it's like, now we can get through this.
The ultimate objective [of comedy] is to get a laugh, so if you can get a laugh off the fact that you did not get a laugh, then you've kinda saved the moment. Other professions don't have that luxury. You don't want to hear a brain surgeon say, "Man, am I so stupid! I cut on the wrong side of your head!!"
When I'm in the grocery store, I'll do lunges up and down the aisles. In the checkout line, you could do squats. I used to worry about what people thought of me, but I don't care anymore. I know I'm going to get the last laugh.
I don't laugh at me. I used to. I used to get the giggles when I'd see myself. But now, I see myself onscreen, and I sure don't laugh.
Comedy is the drug, when they laugh it's like I'm a jazz musician and they hear it, and they get it. It's power to take the crowd wherever I want them to go. I love it when they laugh, especially when they relate through laughter. It's a beautiful thing. It also means I'm going to get paid, which is nice.
I would get my laugh insured! Because my laugh is very important: it's a million dollar laugh, so if my vocal chords make my laugh any different, then I'm going to have to get insured.
The funniest thing about comedy is that you never know why people laugh. I know what makes them laugh but trying to get your hands on the why of it is like trying to pick an eel out of a tub of water.
With me being in so many pain from when you have a betrayal from your best friend - who was my husband - and the girl got pregnant, I couldn't even get out of bed. The only thing that saved me was my stand-up. I would get on stage and just talk about stuff, and I made people laugh. A lot of women e-mail me and say, 'How do you smile? How do you laugh at something like this?' That's how I do it. I laugh because that's how I get through pain.
David Zucker was great! Those guys are funny. I mean, they are funny. There's a wonderful thing about doing that kind of work like Superhero Movie: You have to be real, but you also have to get the laugh. There you are, your director and the producers are right there at the monitors, and you either get the laugh or you don't. And so you just do it until you get the laugh.
If you can’t laugh together in bed, the chances are you are incompatible, anyway. I’d rather hear a girl laugh well than try to turn me on with long, silent, soulful, secret looks. If you can laugh with a woman, everything else falls into place.
I don't ever see movies by myself. I always see them with other people because I want to know what works. I want to know where they laugh. I want to know where they don't laugh. I want to know what they think about it afterwards because in the end that's what the art that I'm working with is.
The best way to make friends with an audience is to make them laugh. You don't get people to laugh unless they surrender - surrender their defenses, their hostilities. And once you make an audience laugh, they're with you. And they listen to you if you've got something to say. I have a theory that if you can make them laugh, they're your friends.
I have a suspicion that a lot of artists are trying to get a laugh but, unlike stand-ups, they don't get an immediate response from their audience; a laugh is a rare thing in a gallery.
Dogs laugh, but they laugh with their tails. And a tail is an awkward thing to laugh with, as you can see by the way they bend themselves half double in extreme hilarity trying to get that rear-end exuberance forward into the main scene of action. What puts man on a higher stage of evolution is that he has got his laugh on the right end.
In fact, I get angry when people laugh at me. I go to the airport and the ground hostess starts laughing at me when she sees me. I get irritated and ask them if I just did some comedy for them to laugh like that. But then I apologise because I know they must have remembered some movie scene that I did.
The angels laugh at old Karl. They laugh at him because he tries to grasp the truth about God in a book of Dogmatics. They laugh at the fact that volume follows volume, and each is thicker than the previous ones. As they laugh, they say to one another, ‘Look! Here he comes now with his little pushcart full of volumes of the Dogmatics!’—and they laugh about the persons who write so much about Karl Barth instead of writing about the things he is trying to write about. Truly, the angels laugh.
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