A Quote by Deepti Naval
Personally, I've always felt that I've enjoyed my work. But there have been times where I've have waited for interesting work to come my way.
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I've been very fortunate to go from interesting chapter to interesting chapter. I've always enjoyed the process and always enjoyed working more really than the end result of what it achieves. I'm more interested in doing the work.
I have always enjoyed my work and have chosen only what I thought was interesting by way of a role.
I always feel when you work with an artist and whenever I work with a really good photographer, I try to give him or her their own artistic freedom because that's the way you get the best work or at least the most interesting work.
I always have looked for the best challenge, I guess, that I could take on. I haven't been producing my own work or anything like that, so I've taken the jobs that look most interesting that come my way.
It's been a straight strip, I must tell you, I've enjoyed it all the way. If I'm saying things to make it sound like it's hard, hard work, it's not. It's beautiful work. It's fun work. It's everything you'd ever want to do.
Women have always been seen as waiting: waited to be asked, waiting for our menses, in fear lest they do or do not come, waiting for men to come home from wars, or from work, waiting for children to grow up, or for the birth of a new child, or for menopause.
I don't have to work just to work anymore. More interesting parts come my way, so I can afford to say, 'I don't want to make that.'
I didn't work for more than two years. I sat on the couch and waited for work to come in. I got depressed, went into the abyss.
I don't mind making a fool of myself. I felt like people would be accepting of that because, to me, that seems like an interesting way to do a show. I've always thought that it's interesting to watch people work things out on stage.
It's really quite an interesting dynamic. I wanted to play to the truth of who Manute was in the first film, while it's also a prequel and the originator [of the story]. It was an interesting dynamic to work with, definitely. I haven't seen the film yet, but the way it felt when I was doing it, it felt like it worked.
Personally, I've found one of the more stimulating ways of playing in recent times has been to kind of move outside the free improvised area and work with people who are probably improvisers but they have a particular way of working.
There have been many times when I have been so entirely sickened of life it was very hard to work to keep on, a half dozen times I have been tempted to suicide, but I am glad I did not give way, for I have always felt that the last half of my life would somehow atone for the first half, and I still think it may ... It is not possible to live in this world without suffering unless one is a born stone. But it is also possible to have a great deal of happiness in spite of the suffering.
My greatest sense of accomplishment has come from having two amazing sons, but it's also a paradox in that the times when I felt like the biggest failure have been times when I felt like, as a parent, I wasn't making the right decisions or succeeding in the way that I should.
I think, always, with a new book, I get nervous. I think mostly it is because work is really important to me, and a book doing well is important because it buys you another one. Not because of the money but if you keep doing interesting work, work that people like, they will want you to do more, and offers that are interesting come in.
Are people crazy? People waited all their lives. They waited to live, they waited to die. They waited in line to buy toilet paper. They waited in line for money. And if they didn't have any money they waited in longer lines. You waited to go to sleep and then you waited to awaken. You waited to get married and you waited to get divorced. You waited for it to rain, you waited for it to stop. You waited to eat and then you waited to eat again. You waited in a shrink's office with a bunch of psychos and you wondered if you were one.
A sense of that kind of narrative movement that we experience online could have been in my mind easily, though not consciously. I do rely so much on my unconscious, the way I write my stuff the way I do. I let my unconscious work. I have better ideas that way and more interesting work.
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