A Quote by Deepti Naval
I wasn't trained as an actor at all. I had studied painting in America and had no clue about acting when I came back.
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I moved when I was 16. I had no clue what to expect in moving to L.A. I had no clue, really, about what acting was. I just knew that I wanted to do it.
I had gone to acting school for years. It was the kind of thing I had studied to do. I had worked with good coaches and trained to do this my whole life: to be a realistic actress capable of doing truthful work.
I've had a job since I was 11. I had a paper route, I worked at a video store, I was a toy doll at FAO Schwartz when I was in high school. And I think that it's made me really disciplined when it came to pursuing acting, because I had no clue how to go about it.
When I came to America, I was already a writer, already published in Bosnia. I was planning to go back, but I had no choice but to stay here after the civil war, so I enrolled at Northwestern in a master's program and studied American literature.
I wanted to be an actor my whole young life. My dad was an actor, obviously - he won an Academy Award, but I had no idea what was involved. I had all the wrong ideas about acting.
I remember when I first came to America, nobody had a clue what a black Englishman was. I was either South African or Australian to them.
I had a wife and children. I was mostly working in painting and decorating and then taking the occasional acting job as they came along. At that stage in your life you have to think about your priorities. It looked like I was going to have to take the building more seriously and give up acting.
I'm not going back to acting class, although I've thought of it. The classic training that people get usually when they start out, I never had, and I always felt and still feel the lack of it, so there's a lot of basic stuff that I just don't have a clue about.
My parents came to America in the late 1960s because my father studied for a Ph.D. in Indiana. My mother joined him later. We had ancestors who came over at the turn of the century. One worked in a laundry, as is typical of Chinese-American immigrants.
A lot of the Indians who came to North America in the '70s, and who made very successful adjustments, always had an idea of the India that they had left, not realizing that the India that they had left has changed more profoundly than the America they came to.
I knew how to act and had studied acting and enjoyed it, but I'd never pushed myself to really perform as an actor, and create a role, and have the whole character's backstory.
Being an actor only came about because Arnaud Desplechin, the guy who did 'Kings and Queen', had this curious idea to think that I could be an actor, but I had never acted before, and I was supposed to direct my own film!
I took a break from acting for a little bit, came back, and didn't know how it was going to be, but I had so much fun. I really had, like, a reinvention, a renewal.
At Hofstra, I got a very well rounded education. I studied acting, but they wouldn't let me just study acting. I had to take classes in play analysis, directing, producing. I had no idea this would ever be relevant. And, of course, it's what I used the rest of my life.
Quite honestly I never had a desire to be an actor. I tell people, I did not choose acting; acting chose me. I never grew up wanting to be an actor. I wanted to play football. In about 9th grade an English teacher told me I had a talent to act. He said I should audition for a performing arts high school so I did on a whim. I got accepted.
When I came back from Munich, it was September, and I was Professor of Mathematics at the Eindhoven University of Technology. Later I learned that I had been the Department's third choice, after two numerical analysts had turned the invitation down; the decision to invite me had not been an easy one, on the one hand because I had not really studied mathematics, and on the other hand because of my sandals, my beard and my "arrogance" (whatever that may be).
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