A Quote by Deepti Naval

I love writing. It is the closest thing to me after being an actor. — © Deepti Naval
I love writing. It is the closest thing to me after being an actor.
I think the closest thing I can come to defining what that vital thing is for me - is that there's a sort of soul-quality in writing, if it's any good. It has a spirit or an energy to it that is very integral to who the writer is on a deep level. It's almost a cellular thing. It takes place in the cells of the writing, and it is what makes it alive or not.
I love the road. The closest thing to home, for me, is being on a tour bus, ironically.
When I started writing after my career as an actor, I knew that that other life in the film industry would be pulled into my writing life and that people would see me not as an author but as an actor starting to write.
Maybe I would have become an actor. I was a very outgoing kid, but being in the hospital - being outside of social action for so long - turned me into an observer. Actually, right after I got out of the hospital, I did start writing a novel, but the book was so transparently about me that I stopped.
Being on a show with a female lead is amazing for me. I love that. I love the powerful woman who's complicated. There's no push to be one thing or another thing. It's all human. That's what you look for as an actor: characters written and portrayed in the most human way possible.
I've been on the road for so long that it's a part of my being. Even after all these years, I love playing. I love recording. I love writing. I love rehearsing. I love touring. I love all that stuff.
I love just being an actor. I love writing, but I'm not a writer. I have no aspirations to direct.
I think photography is closest to writing, not painting. It's closest to writing because you are using this machine to convey an idea. The image shouldn't need a caption; it should already convey an idea.
After looking at Salomaybe, I don't know who the hell the real me is. I think it's closest now to the real me because for one thing, I'm used to this.
Standup led me to acting because I liked standup, and I saw people on a stage, and the closest, nearest thing to me was doing plays. It was like, that's the same thing as standup - people are on a stage; they're being seen and saying things - so, because of my love of standup, I moved towards acting.
Leave me to the thing I love. I love acting. But being called 'the greatest living actress' - a designation not even my mother would sanction - is the opposite of good or valuable or useful. It is a curse for a working actor.
Being an adult, you've already suffered enough from your own mistakes, and the world, to come to this as a humble human being. So it's not like, "I'm going to do the right thing because it advances me," as much as it's like, "I'm going to do the right thing because this puts me closest to the dream I had as a 10-year-old kid."
I think, basically, I am an actor. Sometimes I'm an actor who's writing and sometimes an actor who's directing, but I think if I'm forced to fill out a form for my tax return, 'actor' is the first thing I write down.
I'd be very suspicious of anybody that seems to have to move to the next level of expression. I distrust that: now I'm writing a book, now I'm being an actor. It should be a natural thing. I think it's a natural thing for you to act. But I think that people that feel that, because they've written one maybe quite beautiful love song that equips them to play Romeo, is probably misguided.
Although there is no substitute for merit in writing, clarity comes closest to being one.
For me 'Submarine', is probably one of the most important things I've done and it will always remain the closest thing to my heart. It was an amazing experience and it really changed things for me after I'd finished filming it because of the people on it.
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